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Asian Origins of Cinderella: The Zhuang Storyteller of Guangxi

The acceptance and understanding of the Asian origins of the “Cinderella” story should replace the widely held belief that the story is fundamentally Western or universal. The Zhuang, an ethnic group at the intersection of China and Vietnam, combined ideas from their own traditions and experiences with motifs from Hindu and Buddhist narratives circulating in their area during the Tang Dynasty, and should be credited with creating this subversive, virginal, talented, and compassionate heroine.

Articles

The Forgotten Text of Nikolai Golovin: New Light on the Igor Tale

Mann argues that a rare text of the Skazanie o Mamaevom poboishche comes from an early, fifteenth-century redaction that scholars could never locate—a redaction that is the prototype for all the redactions that have been studied heretofore. He maintains that unique parallels between this redaction and the Slovo o polka Igoreve support the hypothesis that the Igor Tale was an oral epic song in a tradition that actually continued into the fourteenth and fifteenth centuries, when oral tales about the Kulikovo Battle (1380) were composed. He places the new parallels in the context of other evidence for oral composition in the Igor Tale.

Articles

“A Swarm in July”: Beekeeping Perspectives on the Old English Wið Ymbe Charm

At the same time, however, their differing responses to the remedy attest both to the variation of beekeeping practices and the multivalence of Wið Ymbe itself. The fact that two beekeepers interviewed within two days and two hundred miles of each other can respond differently to the charm’s advice on swarms suggests that we reevaluate unilateral assertions regarding what the text might have meant across the hundreds of years that we now know as the Anglo-Saxon period.