Tag: Gender in the Middle Ages

Articles

“Well Cut through the Body:” Fitted Clothing in Twelfth·Century Europe

Before we go any farther, we should investigate the very practical suggestion that tightly fitted clothing resulted from developments in “cutting and sewing technology.” In the case of twelfth­ century Europe, however, it seems there was no real change in the tools of the trade; for example, iron shears, which might seem primitive, continued to be used by tailors into the late middle ages.

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Gender and Violence in the Northern French Farce

I will briefly examine here the identity of farce’s violent characters and their victims, as well as the deviant behaviors punished by comically violent means, ending with a brief discussion of the social conditions which, in my opinion, may have caused the farce’s target audience to enjoy watching the aggressive correction of certain types of antisocial behavior in the century following the Hundred Years’ War.

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“Thus he rode sorowyng”: Travel Narratives and the Ethics of Sexual Behavior in Le Morte d’Arthur

The Arthurian oeuvre traditionally maintains a plot structure that requires knights to depart from the Round Table, either as a response to a challenge or in quest of chivalric “aventure,” followed by a return to Camelot. Within this narrative framework, there exists an intricately designed logic to descriptions of movement and travel. In particular, sex and travel appear inseparable.

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Creativity, the trickster, and the cunning harper king: A study of the minstrel disguise entrance trick in “King Horn” and “Sir Orfeo”

What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.