Our friends at Facsimile Finder have created this video that shows them scrolling through a special facsimile version of the Bayeux Tapestry.
Banish the January doldrums with our latest issue featuring Sirens, the Bayeux Tapestry, Joan of Arc, and a trip to Ireland.
Reports suggest the Bayeux Tapestry – one of the most famous pieces of medieval art – will be loaned to the British Museum for several months.
The interpretation of the purpose of the Bayeux tapestry hinges on two key scenes, Harold’s oath-taking at Bayeux and the death-bed of King Edward.
The Bayeux Tapestry is a complex visual history of the Norman Conquest of England. Its creation and the story it weaves were defined by its dichotomous authorship, its physical form as textile art and its analogous narrative imagery.
There is a large bibliography of secondary works concerning the Bayeux Tapestry, but when one reads much of the published material it is clear that a high proportion of this comment, as one would expect, copies and builds on previous authors.
One of the most intriguing of these puzzles centers upon a scene in that initial segment of the Tapestry treating with Earl Harold Godwinson’s famed and controversial visit to the court of the Norman duke
The designer of the Bayeux Tapestry also included little details that might be missed by the casual viewer. Here are ten images to take a second look at!
An entry in the Inventory of the Bayeux cathedral treasury records that in 1476 the church owned the following: Item une tente tres longue et estroicte de telle a broderie d’ymages et escripteaulx, faisans representation du Conquest d’Angleterre, laquelle est tendu environ la nefde l’église le jour et par l’octave des reliques (l). Not until the 1720 ‘s did scholars first find and appreciate the potential importance of this brief entry.
This paper will therefore investigate Odo’s role in the banquet as a way to ask larger questions about how patronage has been portrayed in the literature on the Bayeux Embroidery as a whole.
The Bayeux Tapestry was designed by Scolland, Abbot of St.Augustine’s monastery in Canterbury, according to research by Howard Clarke of University College, Dublin.
Who commissioned the tapestry? Who made it, where and when? Where was the Tapestry first displayed? Was the message of the Tapestry outright Norman propaganda or a more evenhanded attempt at Anglo-Norman reconciliation?
In her paper, Gale R. Owen-Crocker looks at how the late 11th century frieze portrays Guy, Count of Ponthieu.
A University of Manchester researcher has thrown new light on how the world famous Bayeux Tapestry was made over 900 years ago.
Joanna Laynesmith, a medieval historian from the University of Reading offers two possibilities in a new article that appears in the October issue of History Today.
When an anonymous artist designed the Bayeux Tapestry shortly after the Norman conquest of England he presented some of the action as taking place in the present time and some in the past.
Symbolism and Iconography of the Hawk in the Main Panel of the Bayeux Tapestry By Makra Péter Published Online (2001) Introduction: The main…
The Bayeux Tapestry: a stripped narative for their eyes and ears Brilliant, Richard Word and Image, Vol..7, (1991) Abstract The Bayeaux Tapestry, a…
How English is the Bayeux Tapestry? Musgrove, David BBC History Magazine (2010) Abstract With a major conference about the Bayeux Tapestry at the British…
Odo of Bayeux At War: Linking The Bayeux Tapestry And “The Song Of Roland” Jameson, Carl (University of Delaware) Thesis: B.A., University of…
The Mercian Connection, Harold Godwineson’s Ambitions, Diplomacy and Channel-crossing, 1056 -1066 VAN KEMPEN,AD F. J. (Tilburg, The Netherlands) History, Volume 94, Issue 313…
Textual evidence for spilling lines in the rigging of medieval Scandinavian keels Sayers, William (Cornell University Library, Ithaca, New York) The International Journal of…
The Bayeux Tapestry is one of the most well known and interesting pieces of artwork from the Middle Ages. This feature offers readers information about the Bayeux Tapestry, including videos and articles
One of the mysteries of The Bayeux Tapestry is its bias: was this depiction of the events of 1066 meant to be from the point of view of the conqueror or the conquered?
There is a duality to the Bayeux Tapestry. The first half is seemingly sympathetic towards Harold Godwin (c.1022-1066), with the second part strikingly pro-Norman. There is a double narrative, one running through the frieze itself and another among the animals and creatures in the borders. We see clerics and knights, churches and palaces, with the sacred blending in with the secular.