Polskie kapele muzyczne średniowiecza i renesansu
Polskie kapele muzyczne średniowiecza i renesansu Wiśniewski, Ks. Piotr Wirtualnej Bilblioteki Społeczna (2007) Abstract Pod pojęciem kapela rozumiano w średniowieczu chór śpiewaków kościelnych, zarówno…
Musica secundum imaginationem : Notation, Complexity, and Possibility in the Ars subtilior
Musica secundum imaginationem : Notation, Complexity, and Possibility in the Ars subtilior By Thomas W. Patteson Published Online (2008) Introduction: To write about…
Gregorian Chant and Power Politics in Medieval Tuscany
Gregorian Chant and Power Politics in Medieval Tuscany Lecture by James Maiello Given at Vanderbilt University (2011) James Maiello, senior lecturer in music…
Anglo Saxon Music: 500-1066
Anglo Saxon Music: 500-1066 By Jessica Lovett Published Online (2000) Introduction: Unlike its current trivial place in today’s society, in the early middle…
The Black Dragon – Music from the Time of Vlad Dracula
The Black Dragon – Music from the Time of Vlad Dracula Annette Bauer – recorders, voice, percussion, citole, bells Phoebe Jevtovic – voice,…
The transformation of homosexual Liebestod in sagas translated from Latin
The transformation of homosexual Liebestod in sagas translated from Latin Ashurst, David Saga-Book (2002) Abstract The focus of this article will be on…
The Physical Spell of Gregorian Chant
Gregorian chant was usually sung by the entire congregation and the melodies were always performed in unison
Music: An Instrument of Dialogue Christian Medieval Music and Arab Music, or the Need for Heresy
Music: An Instrument of Dialogue Christian Medieval Music and Arab Music, or the Need for Heresy By Luca Brunelli Felicetti European Journal of…
FRENCH SECULAR MUSIC OF THE LATE FOURTEENTH CENTUR
FRENCH SECULAR MUSIC OF THE LATE FOURTEENTH CENTURY LINKER, ROBERT W. and HOLMES, JR.,URBAN T. (University of North Carolina) MEDIAEVAL ACADEMY OF AMERICA CAMBRIDGE,…
Please Don’t Talk about Hildegard and Feminism in the Same Breath!
I would also suggest that without the rise of second wave feminism, Hildegard’s music may never have been brought to the attention of contemporary scholars.
Carolingian Chant: Roman, Frankish-Roman, Frankish
Carolingian Chant: Roman, Frankish-Roman, Frankish By RICHARD L. CROCKER The Gentle Voice of Teachers: Aspects of Learning in the Carolingian Age, edited by…
Medieval Music Videos from History for Music Lovers
History for Music Lovers is a group of teachers who make history-based music parodies, including these medieval hits!
A musical instrument fit for a queen: the metamorphosis of a Medieval citole
The British Museum’s citole is one of Britain’s earliest extant stringed instruments.
Music in the Time of Saint Anselm
Music in the Time of Saint Anselm Cox, Donald R. (Saint Anselm College) The Saint Anselm Journal 2.1 (Fall 2004) Abstract The 11th century…
Hildegard of Bingen: Upholding the Status Quo through Innovation
Hildegard of Bingen: Upholding the Status Quo through Innovation By Laura Bock 2009 Winner of the James Madison University Academic Writing Contest (2009) Introduction: Hildegard of…
Pipers and waits in the English royal households, c1290-1475: issues of identity and function
In studying the minstrels of the English royal households in the late Middle Ages I did say something about those minstrels described as ‘piper’, but not enough.
Hildegard on Trial: A Note Regarding the Narrow Reception of a Medieval Abbess-Composer
Hildegard on Trial: A Note Regarding the Narrow Reception of a Medieval Abbess-Composer DiCenso, Daniel Marginalia, Vol. 5, (2007) Abstract Hildegard of Bingen,…
Renaissance Women as Patrons of Music: The North-Italian Courts
Renaissance Women as Patrons of Music: The North-Italian Courts By William F. Prizer Rediscovering the Muses: Women’s Musical Traditions, ed. Kimberly Marshall (Boston,…
‘Fit for a king’: music and iconography in Richard Beauchamp’s chantry chapel
‘Fit for a king’: music and iconography in Richard Beauchamp’s chantry chapel By Alexandra Buckle Early Music, Vol.38:1 (2010) Introduction: The Beauchamp Chapel…
Re-reading Through Return in Sir Gawain and the Green Knight and Some Late Medieval Carols
Re-reading Through Return in Sir Gawain and the Green Knight and Some Late Medieval Carols Steer, Alex Marginalia, Vol. 2, Cambridge Yearbook (2004-2005)…
Wind bands in towns, courts, and churches from the Middle Ages to the Baroque
Wind bands in towns, courts, and churches from the Middle Ages to the Baroque By David M. Guion Journal of Band Research, Vol.42…
Homo religiosus of the late middle ages. The Bernardine’s model of popular religion
Homo religiosus of the late middle ages. The Bernardine’s model of popular religion Uniwersytet im. Adama Mickiewicza, Wydział Historyczny, Praca doktorska, Poznań (2004) Szulc, Alicja (Uniwersytet im.…
Music in Honor of the Virgin Mary during the Middle Ages and Renaissance.
The purpose of this study was, first, to explore the basic elements of Marian devotion, and, second, to examine how veneration of Mary was expressed musically.
ANDALUSIAN MUSIC AND THE CANTIGAS DE SANTA MARIA
ANDALUSIAN MUSIC AND THE CANTIGAS DE SANTA MARIA Ferreira, Manuel Pedro Cobras e Son: Papers on the Text, Music and Manuscripts of the ‘Cantigas de…
Putting the Cantigas in Context: tracing the sources of Alfonso X’s Cantigas de Santa Maria
Putting the Cantigas in Context: tracing the sources of Alfonso X’s Cantigas de Santa Maria By Stephen Parkinson and Deirdre Jackson Paper given…