By applying new identification methods to determine the origin of Scottish redware pottery and tiles, the researchers have been able to pinpoint for the first time different sources of production – even to the extent of identifying sites half a mile apart.
It had been thought that a lot of the medieval tiles found in Scotland had been produced in the Low Countries, however new research suggests that the industry in Scotland was much larger than suspected, and certainly less dependant on imports.
The team looked at ceramic samples from kiln sites and a number of major abbeys such as Jedburgh, Kelso, Melrose and Glenluce, along with castles and palaces such as Cadzow, Linlithgow and Dirleton. The result of isolating clay sources suggests that production was both much more diffuse and prevalent than previously thought.
The team have been conducting their research over the past ten years. The project has been funded by Historic Scotland and much of the research was conducted on collections held by Historic Scotland and National Museums Scotland.
Scotland’s Secretary for Culture and External Affairs, Fiona Hyslop said; “This is an exciting breakthrough in using new methods to develop our understanding of the past. This study shows that by applying innovative solutions to historical research we can continue to strip away the layers and learn more about our ancestors and how they lived.”
The team, which incorporated researchers George Haggarty, Derek Hall and Simon Chenery, made the discovery after applying ICPS (Inductively Coupled Mass Spectroscopy) to the sourcing of the Scottish medieval and industrial redware tiles and pottery. This technique, which effectively identifies chemical ‘signatures’, is crucial to identifying the precise origin of ceramics and its increased use has the potential to change our understanding of the past – not only in Scotland but within a European and potentially a global context.
Rod McCullagh for Historic Scotland said; “We are delighted to have supported this ground breaking project. The application of the technology in this way allows you to source – in a far more detailed way than has ever been possible before- the exact production location of ceramic items.
“This will not only enhance our understanding of Scotland at this time and how it developed but also has huge potential for researchers working with ceramics across continents and centuries. It may also be possible to use this research method to help to identify Scottish pottery in foreign markets, perhaps allowing us to identify more and better evidence for Scotland’s Medieval proto-entrepreneurs, which is a very exciting development.”
The findings are now available in a new ‘Medieval Pottery Research Group’ volume entitled Sourcing Scottish Redware.
See also the Facebook page: The Medieval Pottery from the 2010 Dig Season
Source: Historic Scotland