Medievalists.net

Where the Middle Ages Begin

  • Facebook
  • Twitter
  • Home
  • News
  • Podcast
  • Features
  • Courses
  • Patreon Login
  • About Us & More
    • About Us
    • Books
    • Videos
    • Films & TV
    • Medieval Studies Programs
    • Places To See
    • Teaching Resources
    • Articles

Medievalists.net

  • Facebook
  • Twitter
  • Home
  • News
  • Podcast
  • Features
  • Courses
  • Patreon Login
  • About Us & More
    • About Us
    • Books
    • Videos
    • Films & TV
    • Medieval Studies Programs
    • Places To See
    • Teaching Resources
    • Articles
  • Facebook
  • Twitter
Articles

Time and the N-Town Cycle: Establishing Man’s Relation to God through Time

by Sandra Alvarez
February 25, 2011

Time and the N-Town Cycle: Establishing Man’s Relation to God through Time

Majumdar, Monica

Marginalia,Vol. 4, (2005-2006) Cambridge Yearbook

Abstract

The N-Town Cycle celebrates the glory and mercy of God, and concentrates on man in relation to God. In its dramatic reenactment of history, the play uses Time to distinguish man and God. Certain characters are in time, whilst others are out of time, and this demarcation is highlighted by the way characters speak of the past, present, and future. Mortal characters speak in terms of the present. They cannot foresee the future, or review the past. Thus to be in time is to be mortal, since humans are the only characters constrained by time. In contrast, to be out of time is to be eternal; those belonging to eternity can see and refer to the past, present, and future. This essay focuses on Time as a feature of the dramatic development of man’s relation to God in the N-Town Play, a feature which ultimately highlights what Christ brings to earth, and how Christ brings humanity closer to God with his timeless morality. If, as Christian liturgy makes apparent, the Incarnation is the first step in the process of the salvation of the human race, then examination of the N-Town cycle should begin with the “Mary Play”, the precursor to the Incarnation. An examination of “Passion Play I”, in addition to the “Mary Play”, will demonstrate how each character’s cognizance of time determines their place in eternity or in time.

Click here to read this article from Marginalia

Subscribe to Medievalverse




Related Posts

  • Woman as Termagant in The Towneley Cycle
  • Re-reading Through Return in Sir Gawain and the Green Knight and Some Late Medieval Carols
  • Sensing Christ in the Resurrection plays of N-town
  • The N-Town Trials and the Image of the Community
  • Medieval Mystery Plays: Cain and Abel
TagsDrama and Acting in the Middle Ages • Fifteenth Century • Fourteenth Century • Later Middle Ages • Medieval England • Medieval Literature • Medieval Social History

Post navigation

Previous Post Previous Post
Next Post Next Post

Medievalists Membership

Become a member to get ad-free access to our website and our articles. Thank you for supporting our website!

Sign Up Member Login

More from Medievalists.net

Become a Patron

We've created a Patreon for Medievalists.net as we want to transition to a more community-funded model.

 

We aim to be the leading content provider about all things medieval. Our website, podcast and Youtube page offers news and resources about the Middle Ages. We hope that are our audience wants to support us so that we can further develop our podcast, hire more writers, build more content, and remove the advertising on our platforms. This will also allow our fans to get more involved in what content we do produce.

Become a Patron Member Login

Medievalists.net

Footer Menu

  • Privacy Policy
  • Do Not Sell My Personal Information
  • Copyright © 2026 Medievalists.net
  • Powered by WordPress
  • Theme: Uku by Elmastudio
Follow us
  • Facebook
  • Twitter