The Middle High German tale, The Queen of France, portrays a queen, a good and faithful wife, being banished for alleged adultery by her husband, the king, who is burning with anger.
The title of my talk today refers to a poem ascribed to the 12th century poet Mahsati, who is one of the few modern pre-modern women poets whose name has not in fact been forgotten
Skírnismál is thus neither a purely Norse nor a purely oral composition.
This survey of maps and misericords suggests that the other has persistently been envisioned as strange and threatening and thus a constant challenge that tests morality.
The answer is that Disney originally planned to adapt the story of Reynard the Fox, the vulpine star of medieval Dutch fables, but decided they were too dark for young fans and instead used the character they had created to portray Robin Hood.
The present study proposes the punctual examination of one such narrative and hermeneutic strategy in a Burgundian text, the mise en prose of Chrétien de Troyes’s Cligès.
In many medieval legends and literary works, great knights and great horses are often found in pairs; the master’s worthiness manifests in the extraordinariness of his horse.
Perhaps the greatest pleasure of translating the Aenigmata came from the fact that doing the work well required a scavenger hunt through Anglo-Saxon life—from history to medicine to food and many other arcane topics.
It the goal of this thesis to show how magic and Christianity form a symbiotic relationship in which both are reliant on each other in order to be successful in the medieval romance.
The text, here translated and commented on, is a school exercise but comic in tone, and so appropriate both for pupils and as court entertainment, as it echoes contemporary criticism of monks.
A brilliant but morally bankrupt teenaged humanist in Italy named Pomponius Gauricus noticed the fevered search for elegies of Gallus—and smelled opportunity.
Is envy at the root of all claims for justice (so says Freud), or is envy a regrettable but surmountable human tendency that will be minimized in a just society (as Rawls has it)?
This thesis concerns narratives about Anglo-Scandinavian contact and literary traditions of Scandinavian origin which circulated in England in the post-conquest period.
This article contends that the view of knighthood defended by the author of the biography was strikingly different in many ways from that held by Christine.
My investigations into the depiction and punishment of rape in late twelfth-century literature in northern France stem from a particular interest in some of the earlier branches of the Roman de Renart.
A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio’s Decameron and Chaucer’s Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames.
This thesis deals with the representation of prayer in literary texts from early Anglo-Saxon England, investigating the role of reading in the life of prayer and the various ways in which literary texts from the eighth and ninth centuries attest to cultures of prayer in this period.
Four famous dogs from medieval literature.
The earliest written record of the lovers is traced back to about 700AD, when the Tang Dynasty was reigned over by Empress Wu Zetian and was renamed as the (Restored) Zhou Dynasty.
In order to articulate a theory of literary cultural production based on auditory perception, participation needs to be analyzed in the context of Platonic methexis.
In his biographical dictionary, the well-known Andalusian scholar al-Humaydi gives an account of the unhappy experience of an earlier compatriot of his, Abu ‘Umar Ahmad b. Muhammad b. Sa,di, in the theological debating societies of Baghdad.
An accursed king of Gotland is betrayed by his queen to an untimely death. The young prince, the legitimate heir to the throne, is imprisoned in a burial mound of a blood-drinking (un)dead shieldmaiden until …
What I want to suggest here is that there were important connection between Anglo-Norman England and Scandinavian literature and culture as well, even though the Anglo-Norman kings and writers increasingly looked to the continent for modes of explaining their society.
This thesis follows the treatment of Herod the Great in the art and literature of 1500 years, concentrating especially on the iconographic detail and distinctive literary developments of this paradoxical king of the Jews.
The traditional image of Vandal North Africa as a place of oppression has largely been shattered under the weight of modern scholarly investigation. In recent years, scholars from various fields have come together to greatly enhance our understanding of Vandal North Africa.