Viking Age Animal Art as a Material Anchor? A New Theory Based on a Head Motif

Within research history, there have been repeated attempts to establish a connection between the figurative language of skaldic poetry and the pictorial language of animal art.

The making of medieval bling

Gold has long been valued for its luxurious glitter and hue, and threads of the gleaming metal have graced clothing and tapestries for centuries.

Dressed up with bling stolen in Viking raids

When a female Norwegian Viking died some time during the ninth century, she was buried wearing a status symbol: a beautiful piece of bronze jewellery worn on her traditional Norse dress.

5 Cool Celtic Things at the British Museum

I attended the opening of the British Museum’s, Celts: Art and Identity exhibit on Sept 24th. It showcases stunning art, jewellery, weaponry, daily and religious objects to tell the story of the Celtic people.

10 Cool Medieval Things to See at the Musée de Cluny

I just visited Muée de Cluny this week while in Paris and picked out a few fabulous items you might want to check out on your next visit to this amazing medieval museum!

Anglo-Saxon smiths and myths

Knowledge of the metalworking and jewellery-making abilities of the Anglo-Saxons has been much enhanced in recent years by metallurgical and other technical studies.

A Medieval Jewellery Set from the British Museum

Sue Brunning of the British Museum talks about a medieval jewellery set you can see at their new Early Medieval gallery.

Zoomorphic Penannular Brooches in 6th and 7th Century Ireland

In this thesis the author examines the evolution, manufacture, and societal significance of zoomorphic penannular brooches, a type of metal dress fastener used in early medieval Ireland that is often decorated.

The Weight of Necklaces: Some insights into the wearing of women’s jewellery from Middle Saxon written sources

Extracts from Bede’s Ecclesiastical History, and other contemporary Anglo-Saxon and Frankish sources concerning queens and princesses who went into the church, show that these authors were aware that in the seventh century necklaces could be an important part of the identity of high status women.

Medieval Byzantine Magical Amulets and Their Tradition

A diverse yet distinctive group of magical amulets has periodically attracted the attention of scholars from Renaissance times to the present. The amulets take many forms, including engraved gems and cameos, enamel pendants, die-struck bronze tokens, cast or engraved pendants of gold, silver, bronze, and lead, and rings of silver and bronze.

‘Al ful of fresshe floures whyte and reede’: The Jewellery of Margaret of York and Its Meaning

The collier shown in the Louvre portrait appears to be made of gold and enamel, and is almost exclusively set with pearls.

In Heaven and on Earth: Church Treasure in Late Medieval Bohemia

My work, thus, focuses on the intellectual concepts and practical policies involved in the development of treasuries in the fourteenth and fifteenth centuries in Bohemia. It oscillates between three main disciplines of history: art, religious, and cultural history.

Emeralds, sapphires, pearls and other gemmological materials from the Preslav gold treasure (X century) in Bulgaria

The medieval settlement of Preslav (now Veliki Preslav) was founded during the VIII to IX century. It has been proclaimed the second capital of Bulgaria in 893 and is related to the reign of Tsar Simeon the Great.

Byzantines, Goths and Lombards in Italy: Jewellery, Dress and Cultural Interactions

The temptation is naturally to seek differences or contrasts from one power to another, to reinforce the conflict and tension identified in contemporary historians.

‘Temple Pendants’ in Medieval Rus’: How were they Worn?

A useful contribution towards the understanding of the wearing practices of Byzantine and other medieval ear ornaments is supplied by archaeological evidence from the territory of medieval Rus.

A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery

A Study of Cross-Hatched Gold Foils in Anglo-Saxon Jewellery By Richard Avent and David Leigh Medieval Archaeology, Vol.21 (1977) Introduction: In the last few years interest has focused increasingly on various aspects of the manufacture of migration period and early medieval jewellery. The gold content of this jewellery has been the subject of chemical analyses, […]

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