The process of change from domestic textile production in early Anglo-Saxon England (5th – mid-7th century) to the more commercially based, organised industry of the late Saxon period (late 9th – 11th century) is a long and complex one.
A University of Manchester researcher has thrown new light on how the world famous Bayeux Tapestry was made over 900 years ago.
Coptic textiles in most collections present a very rich iconography, somewhat derived from classical traditions, which has also attracted the attention of art historians. Very little of their work, however, has made any headway in our understanding of the contemporaneous meanings of Coptic textile images and other decorations.
At the earliest stages of its development, ceremonial costume was often a more ornate and luxurious version of contemporary attire. It’s use in a ritual context, however, resulted in its becoming imbued with a symbolic significance, a significance that epitomized the political and religious ideology of the state in general and the self perception of the ruling class in particular.
In recent years several attempts have been made to use institutional theory to explain this divergence between the Middle East and Europe. Most of these attempts focus on the organization of international trade.
These are rich, elaborately crafted objects that required binders to collaborate with craft persons skilled in needlework. Beautifully woven fabrics were used, some of which were made for clothing.
For the greater part of human history…disease has been understood in terms of its manifestations on the outside of the body. more than any other sign, t has been spots that have signified the onset of disease…
I am going to take you on a small tour of clothing production and of the many roles that clothing played in medieval life.
This paper focuses on luxury textiles from archaeological and non-archaeological contexts in north-western Europe.
Reading textiles from medieval Norse society supplements written sources and also provides insight into the voice of the individual who created these textiles.
Before we go any farther, we should investigate the very practical suggestion that tightly fitted clothing resulted from developments in “cutting and sewing technology.” In the case of twelfth century Europe, however, it seems there was no real change in the tools of the trade; for example, iron shears, which might seem primitive, continued to be used by tailors into the late middle ages.
Fashion underpinned the commercial growth and cultural transformation of western society. From at least the sixteenth century, fashion’s demotic stimuli unleashed desires across European social ranks.
The ‘Industrial Crisis’ of the English Textile Towns, c.1290 – c.1330 By John Munro University of Toronto Working Paper, 1998 Abstract: The paper’s…
The fashionable dress of the later 15th Century has become iconographic with our modern idea of medievalism. Such popular portrayal, largely inauthentic, has linked it with the re-enactor’s idea of bad medievalism.
The Bayeux Tapestry: a stripped narative for their eyes and ears Brilliant, Richard Word and Image, Vol..7, (1991) Abstract The Bayeaux Tapestry, a…
How English is the Bayeux Tapestry? Musgrove, David BBC History Magazine (2010) Abstract With a major conference about the Bayeux Tapestry at the British…
This document discusses spindle whorls and shafts found throughout the areas Scandinavians lived in during the Middle Ages (800-1500 CE).
Historical Fencing Footwear: “What shoes to train in?” Ask instead, what did Medieval and Renaissance fighters wear? Clements, John ARMA, The Association of Medieval…
Aumônières, otherwise known as alms purses: Embellished textile purses in the European 14th century McGann, Tasha Kelly La cotte simple (2011) Abstract Pockets as…
What do we mean by ‘coloured clothes’? Or rather, what did the saga writers mean by their term litklæði?
This paper discusses the use of walnut to dye fabric.
The emergence and the further development of wics and trading places in Northern and North-western Europe (late 7th century to the 10th century) cannot be explained as the result of only one social and economic system.
Although there were certainly nuns who had a true vocation for the religious life, the convent was a refuge for many girls of the higher classes for whom a suitable husband could not be found.
Clothing as a Political Tool in the Ottoman Empire: Two Miniature Paintings From a Sixteenth-Century Illustrated History of Süleyman the Magnificent (1520 -1566) Scollay, Susan Journal…
An attempt will be made, however, to describe the most typical work wrought during the past centuries by Icelandic needlewomen, who, apparently taking great delight in their craft, produced embroideries intended to enhance not only the churches, but their homes and dress as well.