Remembering Doomsday:Memoria in late medieval English drama and iconography
Remembering Doomsday:Memoria in late medieval English drama and iconography Iseppi, Laura Word & Image, 25: 1 (2009) Abstract Much critical attention has been devoted…
The N-Town Trials and the Image of the Community
The N-Town Trials and the Image of the Community Flood, Victoria Marginalis, Vol. 8, Cambridge Yearbook (2007-2008) Abstract In his game theory V.A.…
The Fourteenth Century Tree of Jesse in the Nave of York Minster
The Fourteenth Century Tree of Jesse in the Nave of York Minster Reddish, Elisabeth York Medieval Yearbook, ISSUE No. 2, (2003) Abstract Window sXXXIII…
Symbols of Power and Authority: The Iconography of Late Thirteenth-Century Chapter Houses
Constructed in the second half of the thirteenth century, the Chapter House at Westminster was the first of a series which includes similar structures at Salisbury and York.
The Gypsies and Their Impact on Fifteenth-Century Western European Iconography
Since Gypsies had no chroniclers of their own, their history is difficult to reconstruct. The origin of the Gypsies was a complete mystery until late in the eighteenth century, when their derivation from India was proved by means of early linguistic com- parison.
A Response to David Aers
A Response to David Aers Biddick, Kathleen Essays in Medieval Studies, vol. 11 (1994) Abstract David Aers’ paper cogently reminds us that the…
Figuring Forth the Body of Christ: Devotion and Politics
Figuring Forth the Body of Christ: Devotion and Politics Aers, David Essays in Medieval Studies, vol. 11 (1994) Abstract In her important study,…
The iconographic evidence for maritime activities in the Middle Ages
The iconographic evidence for maritime activities in the Middle Ages By Joe C. Flatman Current Science, Vol.86:9 (2004) Abstract: The analysis of maritime scenes in…
The Iconography of the Felix Culpa
The Iconography of the Felix Culpa Haines, Victor Y. Florilegium, vol.1 (1979) Introduction It is still some hours before dawn. In the dark…
Art and reform in tenth-century Rome – the paintings of S. Maria in Pallara
The medieval wall paintings of the church of S. Maria in Pallara, situated on the Palatine Hill, Rome, provide insight into the intellectual use of images in the Middle Ages. The fragmentary apse programme survives, supplemented by antiquarian drawings that include copies of lost nave cycles and a lost donor portrait of their patron, Petrus Medicus.
Iconographie et liturgie Le programme de l’abside de l’autel dans cinq monuments moldaves
Iconographie et liturgie Le programme de l’abside de l’autel dans cinq monuments moldaves Bedros, Vlad Studia Patzinaka, 5, 2007, pp. 91-120 Abstract Cette…
Sirena bicaudată pe cahle medievale Iconografie şi posibile funcţii
Sirena bicaudată pe cahle medievale Iconografie şi posibile funcţii Gruia, Ana Maria Studia Patzinaka, nr. 4 / 2007, pp. 219-257 Abstract O serie…