Tag: Folklore in the Middle Ages

Articles

“A Swarm in July”: Beekeeping Perspectives on the Old English Wið Ymbe Charm

At the same time, however, their differing responses to the remedy attest both to the variation of beekeeping practices and the multivalence of Wið Ymbe itself. The fact that two beekeepers interviewed within two days and two hundred miles of each other can respond differently to the charm’s advice on swarms suggests that we reevaluate unilateral assertions regarding what the text might have meant across the hundreds of years that we now know as the Anglo-Saxon period.

Articles

The Folk-Stories of Iceland

The imaginative life of the folk-stories was shaped by an Icelandic rural culture which was homogeneous, simple and poor looked at from the outside, but at the same time enriched by knowledge and practice of poetry, familiarity with a literary tradition and unbroken links with the ancient culture of the country.

Articles

Creativity, the trickster, and the cunning harper king: A study of the minstrel disguise entrance trick in “King Horn” and “Sir Orfeo”

What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.