‘Sfacciate donne fiorentine’: Sumptuary Laws in Medieval Florence
The preoccupation with the way women dressed was constant in Florence during the thirteenth and fourteenth centuries, so much so that in almost every decade some new legislation would appear trying to respond to the new fashions that were becoming popular in the Italian city.
A Medieval Noblewoman’s Guide to Dressing Up
A look inside Eleanor de Montfort’s wardrobe, and why it was important for a 13th-century countess to dress extravagantly and beautifully.
The Medieval Magazine No. 99 (Volume 3, No. 16) : The Anniversary Issue!
The Anniversary Issue! Medievalists.net turns 9 this September! This issue will celebrate our favourite things about the Middle Ages from travel, to art, fashion, books and events.
Medieval English Embroidery on Display for the Last Time at the V&A’s Opus Anglicanum Exhibit
The V&A Museum opened its latest medieval exhibit exhibit on Saturday: Opus Anglicanum: Masterpieces of English Medieval Embroidery. I had the opportunity to see it opening day and it was spectacular.
Can You Match The Outfit To The Historical Era?
See how well you know fashion history!
The Experience of Growing Up in Medieval Society
This session (#508) was one of several at Leeds devoted to exploring childhood in the Middle Ages. Our presenters talked about the stereotypes of adolescence, and what the coroner’s rolls revealed about the deaths (and lives) of medieval children.
Fashion Old and New: Weaving and Tailoring in the Early Medieval and Early Modern Period
Fashion fan? Interested in medieval and early modern textiles? Then this was your session. 2 papers from opposite ends of the spectrum: Early Medieval weaving and Early Modern Tailoring.
Dyes, Diets and Deodorants: Venetian Beauty Secrets Revealed
If you think it’s hard to keep up a beauty regime now, wait until you see what lengths the Venetians went to in order to be beautiful!
A Young Man’s Progress – The First Book of Fashion
A Young Man’s Progress is art work by London photographer Maisie Broadhead and fashion designer Isabella Newell in collaboration with Cambridge cultural historian Ulinka Rublack.
Move over Milan! Late Medieval and Renaissance Fashion in Venice
Milan may be Italy’s current fashion capital, but Venice had an important role to play in the development of the Italian fashion and textile industry since the late middle ages and renaissance period.
The Fashion Police in 16th-century Italy
Patrolling the streets and squares of the bustling city as arbiters of the level of ostentation that was deemed appropriate, the sumptuary magistrates were quite simply the Fashion Police.
15 Medieval Fashion Trends
How did fashion change during the Middle Ages? Using images from medieval manuscripts, we can track some of the changes in fashion over the centuries. The styles of dress and clothing would see new trends emerge, ranging from long-toed shoes to plunging necklines.
Dutch medieval bone and antler combs
Bone and antler combs are common finds in medieval northern europe. Two major types occur in the netherlands: the composite comb, usually made of antler, and the longbone comb.
Estreitement bende: Marie de France’s Guigemar and the erotics of tight dress
This article examines the change in women’s fashion that occurred during the 12th century. Garments went from loose and flowing to tightly fitted, featuring belts and laces. The author examines this cultural change through the romance stories complied in the “Lais” of Marie de France, specifically one featuring the character of Guigemar.
How to pleat a shirt in the 15th century
Based on the shirt fragments from the 15th century found at Lengberg Castle in East-Tyrol this paper describes the methods with which these shirts have been pleated, what type of stiches have been used for sewing and how the trimming strips were fashioned. Seventeen textile fragments could be identified as parts of shirts, fourteen of which feature either partially or totally pleated areas. Two sleeves with textile buttons and button holes, two sleeves with button holes, one sleeve with a textile button, one neckline and five fragments being either sleeve or collar are pleated on their entire width. One shirt each is pleated partially on the front, one of them with a preserved textile button. One sleeveless shirt is pleated at the shoulder.
‘Grandissima Gratia’: The Power of Italian Renaissance Shoes as Intimate Wear
In the Renaissance fashion system gender identification and expressions of power through shoes were instead primarily based on varying degrees of their invisibility.
Art on the edge: hair and hands in Renaissance Italy
This paper argues that items designed for the bodily extremities such as hair-coverings, hats, fans and other accessories were valued for the ease with which they could be changed and adapted to express a range of different meanings: political, social and individual.
Two dozen and more Silkwomen of Fifteenth-Century London
This article attempts to record systematically all the silkwomen of London who were daughters or wives of London mercers between 1400 and 1499.
Medieval Shoes
What set the trends for medieval shoe styles? The Politics, power, economics and climate behind medieval shoes.
Transvestite Knights: Men and Women Cross-dressing in Medieval Literature
In this thesis, I will look at mainly French and German texts from the 12th to the 15th centuries which deal with the subject of cross-dressers in the decidedly masculine domain of the knight. There are many tales of cross-dressing, particularly of women, but the concept of men dressing as women while jousting, and women dressing as knights, brings up several questions about the clothes, what it meant to be male and female, and how cross-dressing could be viewed on the tournament field.
Make-Up as Understructure: Renaissance Cosmetics as Renaissance Self-Fashioning
Cosmetics – like fashion in general – clearly seem to have experienced a notable expansion in their use toward the end of the medieval period.
The Queen of Sicily’s Paris Shopping List, 1277
Sarah-Grace Heller examines a letter sent by Charles I of Anjou, King of Sicily to one of his agents in Paris, where he provides a detailed order of textiles and clothing that he needed to have purchased.
What did the Renaissance man wear? Historian recreates outfit from the 16th century
In the sixteenth century an accountant in the German city of Augsburg named Matthäus Schwarz was busy moving up the social circles, and he did it in part by knowing the latest fashions and dressing well. By 1541 he succeeded in becoming a member of the nobility. Now his efforts are being recreated in an experimental research project at the University of Cambridge.
Best Clothes and Everyday Attire of Late Medieval Nuns
The habit symbolises humility because it nulifies any difference of estate; it signifies the will to chastity because it disguises the feminine form of the body; and it displays outer obedience to divine com- mands by its timelessly simple cut and fabric of linen or wool. Given this sort of symbolism, fashion and nuns appear to be mutually exclusive themes.
Fashion of Middle England and its Image in Chaucer’s Canterbury Tales
Fashion of Middle England and its Image in Chaucer’s Canterbury Tales Petra Štěpánková Bachelor Thesis, Masaryk University – Brno, Faculty of Education, Department…