Posts Tagged ‘Ecclesiastical History’

Katedra Oliwa is located in the city of Gdańsk, in the Oliwa district of the city. On July 2, 1186, Sambor I Gdański, Prince of Pomerania, founded a Cistercian Monastery and the history of the Cathedral began.

The cathedral is 17.7m high, 19m wide and 107m long which making it the longest Cistercian church in the world. It holds works of art in the Renaissance, Baroque, Rococo and Classical style. The church contains 23 altars in the Baroque and Rococo style.

The church was consecrated 14 August 1594. On July, 8 1976, the church was raised to the dignity of a minor basilica by Pope Paul VI. On March,25 1992, Pope John Paul II established the Archdiocese of Gdańsk with the seat in Oliwa and raised the basilica to Archcathedral status.

1. Entrance sign at the side of the Cathedral.

2. Side entrance to the Cathedral.

3. Front entrance to Cathedral.

4. Organ

5. Great organ. The organ is from the Rococo period and was made between 1763 – 1788.

6. Angels on the great organ.

7. Close up of angel with golden trumpet.

8. Stained glass window in the center of the organ.

9.  Cherub detail on organ.

10. Organ front panel.

11. Organ pipes.

12. Tombstone in the wall of the church. There are many of these along the walls and built into the floor of the Cathedral.

13. Close-up detail of the tombstone in the previous picture.

14. Another wall tombstone.

15. Close-up of tombstone crest.

16. Close-up of inscription on the tombstone.

17. Oliwa Cathedral pew seats.

18. Altar are.

19. Close-up of altar area.

20. Mściwoj’s tomb – Prince of Pomerania d. 1294.

21. Close up of Mściwoj’s tomb.

22. Prayer area.

23. Art along the wall of the Cathedral.

24. Close-up of Latin inscription.

25. Beautiful art.

26. Door inside the Cathedral behind main altar area.

27. Altar area of Oliwa Cathedral.

28. Angel’s heads in the ceiling of Oliwa Cathedral.

29. Stained glass window of Oliwa Cathedral.

30. Altar painting.

31. Stars on the ceiling of Oliwa Cathedral.

32.  More beautiful artwork.

33. Another organ in Oliwa.

34. Area to the right side of the altar.

35. Altar area expanded.

36.  Latin inscription.

37. Painting of Mary along walls of Oliwa above the pews.

38. Painting of monk along the walls above the pews.

39. Another prayer area.

40. Side chapel entrance.

41. Side chapel.

42. Ceiling of chapel.

43. Side chapel – altar area.

44. Close-up of chapel ceiling.

45. Beautiful tomb inside Oliwa.

46. Close-up of 16th century tomb.

47. Close-up of paneling of 16th century tomb.

48. One side of the tomb’s inscription.

49. Other side of inscription of tomb.

50. Front of Oliwa.

51. Courtyard of Oliwa Cathedral.

Servant to England: The Biography of Adam Marsh (de Marisco)

By Jason A.S. Drake

Honors BA Thesis, College of William and Mary, 2008

Introduction: The friend and confidante of Robert Grosseteste, the teacher of such academic luminaries as Thomas of York and Roger Bacon, and the spiritual advisor and counselor to great magnates such as Simon de Montfort and King Henry III, Adam Marsh has long been recognized by scholars as an important figure in England’s tumultuous thirteenth century. Still, it is only in the biographies of these other great men that he can be found; to date, there are no published studies of Adam Marsh. While Adam’s achievements have been acknowledged, they have also been overshadowed by those of his contemporaries. In regards to his character, he has often been used as a foil or indicator of these other men’s personalities. Thus R.F. Treharne might characterize Simon de Montfort as possessing an active and morally sensitive mind due to “his learned friendships with men such as [Adam] Marsh,” without any attempt to explain just who Adam Marsh was.

It is the purpose of this thesis then to elucidate the life and character of Adam Marsh on his own terms. More than just a background character, Adam himself was a complex human being with his own worldview. Late in life he abandoned the prospect of a comfortable secular career to live the ascetic life of the Franciscan, and to become the humble servant of all men. That he did so at a time when the Franciscan Order was undergoing an important period of change and transition only makes his story all the more compelling. In many ways, Adam’s career as a Franciscan reflected the significant shift in identity the Order underwent its founder’s death. Where Francis had delighted in the simplicity of his early companions, Adam was a theologian with a continental reputation. The first Franciscan to hold a chair in Theology at Oxford, the academic infrastructure of England and the reputation of the Franciscan school there owe much to his efforts. Also much unlike Francis, Adam moved and worked in the highest social circles of his day, serving kings and popes alike as advisor and ambassador. In turn, he relied on the patronage and support of these great men in the furtherance of his goals. Ultimately, however, he remained true to the Franciscan spirit and mission, embracing the physical and social formalities of poverty even as he equipped himself with sophisticated tools for the salvation of men’s souls.

In studying Adam’s life it will eventually become necessary to consider his relationships with the great men of his day. Indeed, Adam spent much of his time and energy in service to one important figure or another. This is not to suggest that we should necessarily consider Adam as being the lesser agent in these arrangements. While historians have long recognized the important role Adam played as agent and counselor to great men, they have rarely followed this to its full implication: that the respected advisor often himself wields a certain power. Thus no less a moral authority than Robert Grosseteste himself found in Adam Marsh more than just a good friend. He instead found his conscience and a trusted confidante.

In the end, Adam Marsh was very much a man of his time and place. That this place was England during the early thirteenth century is part of Adam’s appeal. This was an important formative period for the English realm. The disintegration of the Angevin Empire and the terms of Magna Carta had greatly compromised the sovereignty of the king. The barons, not normally accustomed to participating in their own government, were being forced to slowly realize a new national political identity. Meanwhile, the English Church under the leadership of men such as Robert Grosseteste and Walter de Cantilupe were fighting hard to assert ecclesiastical rights and to rid the church of abuses. Presiding over all was Henry III, by all accounts not an evil man but ineffectual as a ruler. Over the years dissatisfaction with the crown’s government swelled, until in the summer of 1258 a unified reform movement of clerics and barons seized the government apparatus. At the head of this movement was Simon de Montfort, a conscientious but severe and acquisitive man. In was in this environment that Adam plied his career as an advisor, diplomat, and teacher, one which he himself ultimately played an important role in shaping.

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Calculating the Synod? A network analysis of the synod and the episcopacy in the Register of the Patriarchate of Constantinople in the years 1379–1390

By Johannes Preiser-Kapeller

Historical Dynamics of Byzantium, Vol. 2 (2010)

Introduction: The Register of the Patriarchate of Constantinople is for us probably the most important source for the practice of management and leadership of the late Byzantine church; it provides us with a large number of decisions of the patriarch and the synod of the metropolitans, archbishops and bishops who were present in the capital on many aspects of the church, but also of the political, economic and social life of the Byzantine Empire and the entire Orthodox Commonwealth. These desisions of the supreme bodies of the church are connected in the documents with more or less detailed justifications, which often draw from the rich treasure of Byzantine rhetoric; that many unpleasant facts were either not presented or in disguised form, Herbert Hunger made clear in his paper on “the apparent nonchalance of the language of the patriarchal chancellery” in the second volume of the studies on the Register of the Patriarchate.

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Click here to read more open access papers aus Forschungsbereichen der Wiener Byzantintistik

Religious Conflict in Late Antique Alexandria: Christian Responses to ‘Pagan’ Statues in the Fourth and Fifth Centuries AD

By Troels Myrup Kristensen

Alexandria – A Cultural and Religious Melting Pot, edited by George Hinge and Jens A. Krasilnikoff (Aarhus University Press, 2010)

Introduction: At several points in its history, the city of Alexandria witnessed tension between different social, ethnic and religious groups that occasionally erupted into violence. The fourth and fifth centuries CE, a time of religious and social change across the Mediterranean, were no exception. As such, the rise and ultimate “triumph” of Christianity took place within an already complex social, religious and political setting in the Egyptian metropolis.

Religious violence as the outcome of local tensions between Christian and pagan groups is furthermore observable in both the historical and archaeological record for Late Antique Alexandria. Pagan statues came to play a significant role in these conflicts, most notably in the closing of Alexandria’s famous Serapeum in 392 CE. In the Classical world, statues were an important component of civic and religious life in all urban centres, Alexandria included. Christian responses to pagan statues demonstrate both continuity and change, and the destruction of the Serapeum’s cult statue only represents one extreme.

In this paper, I review the literary and archaeological evidence for these responses and what they reveal about early Christian attitudes towards the past.

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Recent Trends in the Study of the Middle Ages

By Giles Constable

Annual of Medieval Studies at CEU, vol. 15 (2009)

Introduction: My talk this afternoon looks both backwards and forwards: backwards to the tradition of medieval studies and the influence of new approaches and methodologies in the second half of the twentieth century – my own professional lifetime – and forwards, more briefly and tentatively, to what appear to be the directions in which medieval studies are moving, both in Europe and in America. I shall not discuss other parts of the world, though interesting work is being done by medievalists elsewhere, as in Japan and Australia.

I shall concentrate on the history of medieval religion and religious life, in part because it illustrates some of the most striking developments and changes in medieval studies and in part because the CEU has made notable contributions in this field. It is also, I should admit, the area I know best and in which much of my own research has been done. You will forgive me, I hope, if I draw at places in my talk on my own experience and on a paper that I presented recently in England on the study of medieval religious life and spirituality.

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A Contribution to the History of the Conversion of Lithuania

By Zenonas Ivinskis

Baltic and Scandinavian Countries, Vol.5 (1939)

Introduction: The Lithuanians became converted to Christianity only five hundred and fifty years ago, and their final adoption of it constitutes one of the most serious problems of Lithuanian history in the fourteenth century. It had far-reaching effects on the whole future destiny of the Grand Duchy, and because the slowness with which they received Christianity had the most painful results for the Lithuanian people, the historian must consider the earlier attempts to baptize them if he is to grasp the reason why Lithuania became the last refuge of paganism in the whole of Europe. For all through the Middle Ages, while Christian culture was rising under the shelter of the Church in the West, while science was developing, schools were rising, and monasteries – at that period centres of cultural as well as religious life – were being founded in hundreds, Lithuania’s plains were lying in darkness, unknown to history and concealed by the all-pervading fog of paganism.

After the journeys to Prussia of Adalbert of Prague (Archbishop Wojciech), who died in 997, and the monk Bruno of Ouerfurt, who died in 1009, no more was heard of missionary activity among the Balts for two centuries. During this period, the period in which Henry IV made his journey to Canossa, Western Europe was devoting all its attention and all its energy to the conflict between Church and State. Then came the Crusades to draw attention to Palestine. It is true that attempts to bring the Prussians to Christianity were made by Poles – and Polish historians attach considerable importance to them – but they must have been confined within narrow limits, for they left but faint traces among the Prussian people.

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An Introduction to Byzantine Monasticism

By Alice-Mary Talbot

Illinois Classical Studies, Vol.12:2 (1987)

Introduction: The institution of monasticism was one of the most important characteristics of Byzantine society, and touched the life of virtually every imperial subject in many ways. First of all, a substantial number of Byzantine men and women took monastic vows: some in their youth, who pledged themselves to a lifetime of dedication to Christ; some in middle age, when their children were grown; many more at the end of their lives. Countless Byzantines, when they realized they were on their deathbed, took the monastic habit for their final hours or days, in the belief that, by dying in the holier monastic state, they were more likely to achieve salvation in the world to come.

The monastery was often the spiritual center of a rural village or urban quarter; local inhabitants might attend services at the monastic church, seek out monks for spiritual advice, or ask for help in time of need. If a Byzantine fell ill, he or she might find medical care in a hospital attached to the monastic complex, or alternatively seek healing at the tomb of a saint whose relics were preserved in the church. A traveler who hesitated to stop for the night at an inn (which was usually a euphemism for a brothel) might find accommodation at a hostel run by monks. An elderly widow without children to look after her could find spiritual companionship and nursing care in a convent; the nuns would also see to her proper burial and arrange commemorative services after her death, all in exchange for a handsome donation to the nunnery. The poor could come to the monastery gate and receive loaves of bread, wine, and the leftovers from the refectory. A wealthy noble, who wanted to present a deluxe illuminated Gospelbook to a church, could commission the copying and illustration of such a manuscript in a monastic scriptorium, or workshop for the production of manuscripts. A peasant who owned a small plot of land might be pressured into selling his vineyard or olive grove to the local monastery, which wished to increase its holdings; he might on the other hand give the land to the monastery as a pious act, in exchange for commemorative requiem masses in perpetuity. Emperors as well as peasants took personal interest in monasteries; they might found new ones, or present existing ones with landed estates, or declare their immunity from taxation. Emperors sought out monks as advisers on matters of state as well as religious policy. And not a few Byzantine emperors ended their lives in monasteries, either unwillingly when they were deposed from the throne by a usurper and forced into the tonsure, or of their own accord as an act of personal faith when their end drew near. Finally, monasteries served as the bulwark of Byzantine Orthodox Christianity: in the eighth and ninth centuries monks were among the most ardent supporters of image veneration and adversaries of iconoclasm: in the thirteenth century monks were persecuted for opposing Michael VIII’s policy of Union with the Roman Church at the Council of Lyons (1274). In the following century the monasteries and hermitages of Mt. Athos nurtured the burgeoning mystical movement called hesychasm, which was to give new vitality to the Orthodox religious tradition.

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A new digital resource created by the University of York has been released which will provide teaching and learning resources about the history of parish churches since Anglo-Saxon times.

An interactive DVD “The English Parish Church through the Centuries: daily life and spirituality, art and architecture, literature and music”, produced by Christianity and Culture at the University of York, traces the development of the country’s most iconic ecclesiastical buildings across the centuries.

The DVD was launched by the Archbishop of Canterbury at the General Synod of the Church of England in York earlier this month. It combines easily accessible introductions to the latest academic research on parish churches and the influence of Christianity on literature, music, art and society from nearly 230 leading scholars, with images from national and international collections. The launch of the DVD comes as English Heritage reveals research into the number of listed places of worship at risk and rolls out a major campaign to help congregations care for their historic buildings. It offers answers to the questions: ‘Why should we care about churches?’ and ‘How can we care?’

The English Parish Church through the Centuries includes vivid 3D interactive models of the development of church interiors and exteriors, hundreds of extraordinarily beautiful images of churches past and present, specially recorded music from the Anglo-Saxon period onwards, maps, conservation information, and individual case studies of over 30 churches.

Dr Dee Dyas, Director of Christianity and Culture, said: “The story of the Church in England is interwoven with the history of England at every turn and its influence has shaped our social, cultural, imaginative, and physical landscapes. Parish Churches are not only treasure houses of astonishingly beautiful art and architecture; they are also story books with the experiences and memories of individuals and communities inscribed on their walls.

“They still stand at the physical and spiritual heart of many communities and and welcome a host of visitors each year, offering people from all backgrounds a doorway into countless areas of heritage and culture.”

This interactive resource offers teachers and students of all ages, as well as all those who use, care for and visit churches, an easy to use but authoritative resource which explores the interaction of history, art, architecture, literature, music and spirituality through the centuries.

Easy navigation and a full supporting glossary enable the casual user to explore at their own pace and learn from leaders in the field, while the high quality scholarship make it equally suitable for the specialist seeking to expand their knowledge in key areas. The DVD has been produced with the co-operation and support of the Church of England, English Heritage, the British Museum, Lambeth Palace Library, the Fitzwilliam Museum, the Churches Conservation Trust, as well as many other institutions, charitable trusts and the goodwill of over 250 scholars worldwide.

Christianity and Culture is a grant-funded project based at the Humanities Research Centre in the University of York and St John’s Theological College, Nottingham. Started in 1999 in response to a need for resources for students which could explain the Christian heritage that underpins Western culture, the project has produced two earlier CD-Roms, Images of Salvation: The Story of the Bible through Medieval Art in 2004 and Pilgrims and Pilgrimage: Journey, Spirituality and Daily Life through the Centuries in 2007, as well as a student guide to the Bible in Western Culture and an ongoing academic book series with Boydell and Brewer.

Click here to go to the Christianity and Culture website

Source: University of York

The Pillars of the Earth, an eight-hour mini-series based on the novel of the same name by Ken Follett, begins airing this month on North American television. Set in England during the 12th century, the story revolves around the building of a cathedral in the fictional market town of Kingsbridge.

Series Outline: The Pillars of the Earth begins with the public hanging of a mysterious man. About to meet his demise, he reaches out to a young pregnant woman in the crowd. As he hangs, the woman places a curse upon the three men responsible for his death: a powerful knight, a sheriff, and a young priest. This fateful event sets in motion the interconnected tales of Tom, master builder; Aliena, the noblewoman; the sadistic Lord William; Jack, the artist in stone work; and Ellen, a peculiar woman from the forest with an otherworldly background. At the heart of this grand tale lies Prior Phillip the benevolent leader of the diocese of Kingsbridge. His greatest adversary is Bishop Waleran, who threatens Phillip’s lifelong dream turned obsession of creating the most bewildering and magnificent church in England. The Prior and the Bishop become locked in an ultimate test of morals versus malice.

Series Background: Billed as the ‘epic event of the summer,’ Pillars of the Earth features a large cast including Ian McShane, Rufus Sewell, Matthew Macfadyen and Donald Sutherland in leading roles. The mini-series, which cost over $40 million (US), revolves around the building of a cathedral in the fictional town of Kingsbridge. It takes place within the larger backdrop of England during the mid-12th century, when the country suffered through a civil war during the reign of King Stephen (1135–1154) and tumultuous times of Henry II (1154–1189).

At the beginning of “Pillars,” Kingsbridge is a village, but during the course of the story it prospers, thanks to the wool trade, and grows to be a medium-sized city – by medieval standards, that is. In those days typical cities had five to ten thousand inhabitants. Kingsbridge Cathedral is fictional, though as Follett was writing the story he had two real-life cathedrals in mind: Wells and Salisbury. In its architecture the finished Kingsbridge Cathedral is like Salisbury, with rows of narrow, pointed “lancet” windows.

Ken Follett, who published his novel in 1989,  said, “For 20 years, Kingsbridge has existed only in the imagination—mine, and that of millions of readers. But today it has been built, on two huge lots on the outskirts of Budapest, Hungary. Here are the dirty medieval streets, the hovels the people live in, the bakeries and smithies and wool stores—and, of course, the half-finished cathedral.”

The author even makes an appearance on the screen, taking the role of a merchant. He adds, “People kept asking me: ‘Do you like it?’ Of course I like it. I dreamed it, and now it’s real.”

This Canadian-German project was handled by several companies, and among its executive producer’s is Ridley Scott, who directed films such as Gladiator and Kingdom of Heaven. The filming was done near Budapest, Hungary.  The series begins airing in the United States and Canada on July 23, 2010, and will also be seen in several other countries, including, the United Kingdom, Germany, France and Spain.

Landscape with Two Saints: How Genovefa of Paris and Brigit of Kildare Built Christianity in Barbarian Europe

By Lisa Bitel
Oxford University Press, 2009
ISBN: 9780195336528

At a time when Europeans still longed to be Roman and were just learning to be Christian, two extraordinary holy women-Genovefa of Paris (ca. 420-502) and Brigit of Kildare (ca. 450-524) -began to roam their homelands. One of these saints raised an apostolic church in the imperial city that would become Paris. The other scavenged fragments of that dwindling empire for the foundations of a grand Roman basilica built deep in barbarian territory. Both brought Christianity and romanitas (Roman-ness) to their people. By examining the ruins of their cities and churches, the workings of their cults, and the many generations of their devotees, Lisa Bitel shows how Brigit and Genovefa helped northern Europeans map new religion onto familiar landscapes. Landscape with Two Saints tells the twin stories of these charismatic women but also explains how ordinary people lived through religious change at the very beginning of the Middle Ages.

Tales of ancient conversions on distant landscapes have much to teach us about lived and built religion, why people choose new beliefs, and how they act out those beliefs in meaningful ways. The combined history of Brigit and Genovefa explains not just how a couple of legendary peripatetic women could become targets of devotion, but how and where Europeans became Christian, and what it meant to them on a daily basis. The story of these two saintly cults-not just in the pages of manuscripts, but on the streets of cities, in the stones of cemeteries, and in the walls of churches-also demonstrates the pervasive influence of gender and ethnicity, as well as regional culture and material environment, on the whole process of religious change. Bitel contends that in the building blocks of their churches and the tracks they once traveled, Genovefa and Brigit show us what the written words of missionaries and theologians never can: the active participation of converts in the history of their own conversion.

Our Video Review

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Click here to read the article on this book from Medieval News

Click here to read a review from Bryn Mawr Classical Review

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