REVIEW: The Ballad of Robin Hood
Over the holiday season, Southwark Playhouse is presenting their reinterpretation of The Ballad of Robin Hood.
Animated Epics: The Canterbury Tales
A 1998 animated version of Geoffrey Chaucer’s Canterbury Tales
Shrews, Rats, and a Polecat in the ‘Pardoner’s Tale’
The animals of particular interest to us are creatures that function in two distinct ways: as familiar dead metaphors and as familiar live animals.
Dreams and lovers: the sympathetic guide frame in Middle English courtly love poems
When is a dream not a dream? The Middle English convention of the ‘dream vision’ has been read by modern scholars as a genre that primarily reveals the medieval understanding of dreaming and dream theory, so that events and stories presented within a dream frame are necessarily read through that specific hermeneutic.
Book Burning in Chaucer and Austen
Chaucer has also composed a scene in which he, a maker of books, makes a character who destroys books, combining both making and unmaking in the work of creation.
The Priest and the Fox: Tricksters in Chaucer’s Nun’s Priest’s Tale
Although the figure of Reynard is prevalent in trickster lore, the primary trickster at play in the Nun’s Priest’s Tale may be not the fox but the teller of the tale, the Nun’s Priest himself who travels the road to Canterbury.
Fourteenth-Century Weaponry, Armour and Warfare in Chaucer and Sir Gawain and the Green Knight
This essay attempts to re-appraise selected passages of Chaucer’s Canterbury Tales and Sir Gawain and the Green Knight from a wider military historical and archaeological perspective.
Be A Part of Chaucer’s Tale
For many people, The Canterbury Tales is not only Geoffrey Chaucer’s great masterwork, but one of the cornerstones of English literature.
Chaucer the Love Poet: A Study in Historical Criticism
This thesis is an historically based inquiry into the aesthetic function and moral significance of the themes of marriage, fornication, and adultery in Chaucer’s poetry about sexual love
Chaucer in Iceland
My project is called Chaucer in Iceland and its main aim was to take the congress in Iceland as a case study for looking at the impact of Scandinavia identity on contemporary medieval studies.
Hearing, smelling, savoring, and touching in Chaucer’s Canterbury Tales
Chaucer’s scholar’s have long recognized the poet’s keen sense of observation and have commented upon the poet’s ability to transfer his visual images to his writing.
The Wife of Bath: Standup Comic
In this article I argue that the prologue to The Wife of Bath’s Tale is also an exercise in carnival, and that rather than being a true autobiography of Alisoun of Bath, it is a joke routine for a standup comic.
What a Bunch of Tools: Zombie Saints and Their Use Within Medieval Communities
This thesis focuses on this phenomenon through the scope of the living dead saints of the Middle Ages, concentrating directly on instances of undead saints found in the most widely disseminated, read, and recounted collection of saints lives of the time, The Golden Legend.
INTERVIEW: A Conversation with SD Sykes about Plague Land
My interview with fiction author, SD Sykes about her fantastic medieval crime novel, Plague Land.
Understanding Chaucer’s Knight
he Knight in The Canterbury Tales is best viewed as neither a wholeheartedly approving embodiment of the values presented in the courtly literature and chivalric romances of the twelfth and thirteenth centuries nor a vicious marauder preying on innocent Christians, but rather as a relatively realistic, albeit somewhat idealized reflection of a living, breathing knight at the close of the fourteenth century.
Narratives of resistance: arguments against the mendicants in the works of Matthew Paris and William of Saint-Amour
The rise of the new mendicant orders, foremost the Franciscans and Dominicans, is one of the great success stories of thirteenth-century Europe. Combining apostolic poverty with sophisticated organization and university learning, they brought much needed improvements to pastoral care in the growing cities.
Guilt and Creativity in the Works of Geoffrey Chaucer
I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.
MOVIE REVIEW: ‘A Knight’s Tale’
Staying home on a Sunday night? Looking for a fun medieval movie to watch? Here is my review of ‘A Knight’s Tale’ for your Sunday night selection!
Theories of the Nonsense Word in Medieval England
The goos the cokkow and the doke also
So cryede kek kek kokkow quek quek hye
Alphabet Poems: A Brief History
As a collector of alphabet books, and sometime editor of a newsletter on the subject, I have had many opportunities to consider the history of the alphabet poem. Although alphabet poems may take a wide range of forms, most are generally divided into twenty-six parts (lines, couplets, stanze…), one for each letter.
The Biennial Chaucer Lecture: For the Birds
In The Squire’s Tale, Chaucer draws on the genre of romance as a way into thinking about the cultural place of falcons.
A Burnable Book – novel starring Chaucer and Gower gets strong reviews
A Burnable Book is the title of Bruce Holsinger’s new historical thriller, set in the 14th century, with Geoffrey Chaucer as one of the main characters
The “Discrete Occupational Identity” of Chaucer’s Knyght
Popular critical opinion favors reading the pilgrim Knyght of Chaucer’s The Canterbury Tales as the representative of the idealized chivalric knight; however, the pilgrim Knyght bears the hallmark of the early professional soldier that began to evolve as early as the eleventh century.
Valentine’s Day Medieval Love: Books for that special someone
Love is in the air! Here are a few medieval books on the topic of love for your Valentine.