This dissertation proposes that the roots of formal print censorship in England are to be found in earlier forms of intolerance which sought to enforce conformity and that censorship is not distinct from intolerance, but rather is another form of intolerance.
A large amount of brutality, subjugation, and death can be be found within the most famous literary work of the Late Middle Ages, Geoffrey Chaucer’s The Canterbury Tales.
This article aims at analysing Chaucer’s depiction of the cooks in the Canterbury Tales, and to discuss their function in contributing to the social changes as figures at the backstage of bourgeois social drama.
This lecture explores how Chaucer and his contemporaries saw their own place in time
Are you one of the members of the Canterbury Tales, or perhaps the famous author himself? Answer these questions to find out!
18 quotes (modernised) – some of which are Geoffrey Chaucer’s and some of which are William Shakespeare’s. Which one was penned by which great writer?
This paper explores the different uses of liquidity to represent emotions in Chaucer’s writing, and especially in Troilus and Criseyde
This thesis finds evidence that women used the manuscripts of the Canterbury Tales in an informal way, and the books were potentially kept in close proximity at home.
Sebastian Sobecki has found a network of intriguing connections between Geoffrey Chaucer and some of the biggest influencers of the day, including John Gower, and Bishop William of Wykeham, chancellor of England.
Late medieval persons who adorned their hats and cloaks with the traces of their pilgrimage visits grappled with many conflicting perspectives.
A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio’s Decameron and Chaucer’s Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames.
Senior English Literature major, Michael Walecke, is mapping collocations of one of Chaucer’s only prose works.
Why We Can’t Stop Fighting about Chaucer’s Man of Law By Bonnie J. Erwin Enarratio: Publications of the Medieval Association of the Midwest, Volume…
Verba vana: empty words in Ricardian London By Robert Ellis PhD Dissertation, Queen Mary, University of London, 2012 Abstract: Verba Vana, or ‘empty…
Watch and listen to parts of The Canterbury Tales read in Middle English
Over the holiday season, Southwark Playhouse is presenting their reinterpretation of The Ballad of Robin Hood.
A 1998 animated version of Geoffrey Chaucer’s Canterbury Tales
The animals of particular interest to us are creatures that function in two distinct ways: as familiar dead metaphors and as familiar live animals.
When is a dream not a dream? The Middle English convention of the ‘dream vision’ has been read by modern scholars as a genre that primarily reveals the medieval understanding of dreaming and dream theory, so that events and stories presented within a dream frame are necessarily read through that specific hermeneutic.
Chaucer has also composed a scene in which he, a maker of books, makes a character who destroys books, combining both making and unmaking in the work of creation.
Although the figure of Reynard is prevalent in trickster lore, the primary trickster at play in the Nun’s Priest’s Tale may be not the fox but the teller of the tale, the Nun’s Priest himself who travels the road to Canterbury.
This essay attempts to re-appraise selected passages of Chaucer’s Canterbury Tales and Sir Gawain and the Green Knight from a wider military historical and archaeological perspective.
For many people, The Canterbury Tales is not only Geoffrey Chaucer’s great masterwork, but one of the cornerstones of English literature.
This thesis is an historically based inquiry into the aesthetic function and moral significance of the themes of marriage, fornication, and adultery in Chaucer’s poetry about sexual love