The Female Audience of the Manuscripts of Chaucer’s Canterbury Tales
This thesis finds evidence that women used the manuscripts of the Canterbury Tales in an informal way, and the books were potentially kept in close proximity at home.
Six Degrees of Chaucer: How Southwark Shaped The Canterbury Tales
Sebastian Sobecki has found a network of intriguing connections between Geoffrey Chaucer and some of the biggest influencers of the day, including John Gower, and Bishop William of Wykeham, chancellor of England.
Ampullae and Badges: Pilgrim Paraphernalia in Late Medieval England
Late medieval persons who adorned their hats and cloaks with the traces of their pilgrimage visits grappled with many conflicting perspectives.
Chaucer’s Decameron and the Wife of Bath’s Tale: Why Do Literary History?
A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio’s Decameron and Chaucer’s Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames.
Undergraduate research project finds connection between Chaucer and medieval astronomers
Senior English Literature major, Michael Walecke, is mapping collocations of one of Chaucer’s only prose works.
Why We Can’t Stop Fighting about Chaucer’s Man of Law
Why We Can’t Stop Fighting about Chaucer’s Man of Law By Bonnie J. Erwin Enarratio: Publications of the Medieval Association of the Midwest, Volume…
Verba vana: empty words in Ricardian London
Verba vana: empty words in Ricardian London By Robert Ellis PhD Dissertation, Queen Mary, University of London, 2012 Abstract: Verba Vana, or ‘empty…
Chaucer’s The Canterbury Tales in Middle English
Watch and listen to parts of The Canterbury Tales read in Middle English
REVIEW: The Ballad of Robin Hood
Over the holiday season, Southwark Playhouse is presenting their reinterpretation of The Ballad of Robin Hood.
Animated Epics: The Canterbury Tales
A 1998 animated version of Geoffrey Chaucer’s Canterbury Tales
Shrews, Rats, and a Polecat in the ‘Pardoner’s Tale’
The animals of particular interest to us are creatures that function in two distinct ways: as familiar dead metaphors and as familiar live animals.
Dreams and lovers: the sympathetic guide frame in Middle English courtly love poems
When is a dream not a dream? The Middle English convention of the ‘dream vision’ has been read by modern scholars as a genre that primarily reveals the medieval understanding of dreaming and dream theory, so that events and stories presented within a dream frame are necessarily read through that specific hermeneutic.
Book Burning in Chaucer and Austen
Chaucer has also composed a scene in which he, a maker of books, makes a character who destroys books, combining both making and unmaking in the work of creation.
The Priest and the Fox: Tricksters in Chaucer’s Nun’s Priest’s Tale
Although the figure of Reynard is prevalent in trickster lore, the primary trickster at play in the Nun’s Priest’s Tale may be not the fox but the teller of the tale, the Nun’s Priest himself who travels the road to Canterbury.
Fourteenth-Century Weaponry, Armour and Warfare in Chaucer and Sir Gawain and the Green Knight
This essay attempts to re-appraise selected passages of Chaucer’s Canterbury Tales and Sir Gawain and the Green Knight from a wider military historical and archaeological perspective.
Be A Part of Chaucer’s Tale
For many people, The Canterbury Tales is not only Geoffrey Chaucer’s great masterwork, but one of the cornerstones of English literature.
Chaucer the Love Poet: A Study in Historical Criticism
This thesis is an historically based inquiry into the aesthetic function and moral significance of the themes of marriage, fornication, and adultery in Chaucer’s poetry about sexual love
Chaucer in Iceland
My project is called Chaucer in Iceland and its main aim was to take the congress in Iceland as a case study for looking at the impact of Scandinavia identity on contemporary medieval studies.
Hearing, smelling, savoring, and touching in Chaucer’s Canterbury Tales
Chaucer’s scholar’s have long recognized the poet’s keen sense of observation and have commented upon the poet’s ability to transfer his visual images to his writing.
The Wife of Bath: Standup Comic
In this article I argue that the prologue to The Wife of Bath’s Tale is also an exercise in carnival, and that rather than being a true autobiography of Alisoun of Bath, it is a joke routine for a standup comic.
What a Bunch of Tools: Zombie Saints and Their Use Within Medieval Communities
This thesis focuses on this phenomenon through the scope of the living dead saints of the Middle Ages, concentrating directly on instances of undead saints found in the most widely disseminated, read, and recounted collection of saints lives of the time, The Golden Legend.
INTERVIEW: A Conversation with SD Sykes about Plague Land
My interview with fiction author, SD Sykes about her fantastic medieval crime novel, Plague Land.
Understanding Chaucer’s Knight
he Knight in The Canterbury Tales is best viewed as neither a wholeheartedly approving embodiment of the values presented in the courtly literature and chivalric romances of the twelfth and thirteenth centuries nor a vicious marauder preying on innocent Christians, but rather as a relatively realistic, albeit somewhat idealized reflection of a living, breathing knight at the close of the fourteenth century.
Narratives of resistance: arguments against the mendicants in the works of Matthew Paris and William of Saint-Amour
The rise of the new mendicant orders, foremost the Franciscans and Dominicans, is one of the great success stories of thirteenth-century Europe. Combining apostolic poverty with sophisticated organization and university learning, they brought much needed improvements to pastoral care in the growing cities.
