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“The Minstrel’s Song Of Silence”: The Construction of Masculine Authority And The Feminized Other In The Romance Sir Orfeo
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From Text to Man: Re-Creating Chaucer in Sixteenth-Century Print Editions
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The Study of Canon Law and the Eclipse of the Lincoln Schools, 1175–1225
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Cynewulf the Poet, Alfred the King, and the Nature of Anglo-Saxon Duty
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Truth, Translation, and the Troy Book Women
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God Our Mother: The Feminine Cosmology of Julian of Norwich and Hildegard of Bingen
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Courtesy Books, Comedy, and the Merchant Masculinity
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Resurrection: Representation v. Reality in a Miracle of St John of Beverley
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The Warrener’s Tale
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Imperfect Heroes and the Consolations of Boethius
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The Vulnerable Body of Havelok the Dane
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Anger with God and Man: The Social Contexts of Melibee’s Anger
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Conception Through Infancy in Medieval English Historical and Folklore Sources
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The Wife of Bath: Sexuality vs. Symbol
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The Writings of Julian of Norwich as Accomodation and Subversion
Julian’s status as presumed virginal celibate female mystic and anchoress (hermit) separated her from, and elevated
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Christian Heroism and the West Saxon Achievement: The Old English Poetic Evidence
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Unity, Genre, and Subverting the Absolute Past: The Case of Malory’s “Tournament at Surluse”
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“Of this I can make no sense”: Wulf and Eadwacer and the Destabilization of Meaning
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Music and Magic in Le Bel Inconnu and Lybeaus Desconus
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“The Pale and Perfect Measured Parade”: John Steinbeck’s First Draft of The Acts of King Arthur and His Noble Knights
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I Alisoun, I Wife: Foucault’s Three Egos and the Wife of Bath’s Prologue
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Lords Temporal and Spiritual: The Interactions of Papal and Royal Power in John Capgrave’s Abbreuiacion of Cronicles
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“Turn, traitor untrew”: Altering Arthur and Mordred in the Alliterative Morte Arthure
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Chaucer and the Early Church
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