Tag: Chivalry in the Middle Ages

Articles

Fayttes of Armes and of Chyvalrye

Malory’s Morte Darthur, as Caxton entitled it in his print of 1485, is well known and widely admired. This paper will try to relate it to an important part of its literary and cultural background, the fifteenth-century ‘literature of knighthood’ or ‘literature of nobility’, which is not well known and not admired at all.

Articles

“Thus he rode sorowyng”: Travel Narratives and the Ethics of Sexual Behavior in Le Morte d’Arthur

The Arthurian oeuvre traditionally maintains a plot structure that requires knights to depart from the Round Table, either as a response to a challenge or in quest of chivalric “aventure,” followed by a return to Camelot. Within this narrative framework, there exists an intricately designed logic to descriptions of movement and travel. In particular, sex and travel appear inseparable.

Articles

Creativity, the trickster, and the cunning harper king: A study of the minstrel disguise entrance trick in “King Horn” and “Sir Orfeo”

What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.

Articles

“Kan he speke wel of love?”: Luf talk and Chivalry

In my view, Criseyde’s inquiry about Troilus’s verbal skill in “luf talk” highlights more a problematic issue of Criseyde’s concern about a man’s “loves craft” than that of his class in society. As Chaucer’s narrator remarks in the proem of Book II (22-42), every human activity in love is governed by language conventions, expressive shortcuts that a community agrees to understand and honor…