A new analysis of the tomb of Edward the Black Prince – who was due to become the King of England – has shed new light on the ingenuity of royal artists in the 14th century.
A group of windows from Canterbury Cathedral may be the earliest extant stained glass windows in England, according to a team of scientists from University College London and conservators from Canterbury Cathedral.
This paper discusses the Centre for the Study of Christianity & Culture’s recently completed a three-year AHRC funded research project, ‘Pilgrimage and England’s Cathedrals, past and present’.
From 1 to 1,001,266, the story of the Canterbury Cathedral.
This thesis comprises a study of all the records of the archbishop and chapter of Canterbury that purport to belong to the period before the Norman Conquest.
There are only four surviving copies of the original Magna Carta from 1215. One these originals has now been identified as first belonging to Canterbury Cathedral.
One manuscript, created in two countries by two different workshops, over a hundred years apart.
I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.
Objections to Episcopal Elections in England, 1216-1272 Katherine Harvey Nottingham Medieval Studies: 55 (2011), pp. 125-48 Abstract In August 1228, following the death…
This is my review of the T.S. Eliot’s play, “Murder in the Cathedral”, on at St. Bartholomew in Smithfield, London.
After visiting Canterbury Cathedral, I was inspired to suggest books that relate to Canterbury’s famous Archbishops, history and beauty.
This essay deals with the tradition of the revelation of Purgatory to St. Patrick on Station Island in Lough Derg, whose popularity is testified not only in literary texts in the various languages of Medieval Europe but also in a unique work of art in the convent of the Sisters of Saint Clair at Todi, Umbria