The Arthurian Legend comes to America with Mark Twain’s A Connecticut Yankee in King Arthur’s Court.
The story of King Arthur moves into the Victorian Age, where it is revitalized by Walter Scott and Alfred Tennyson.
Most people today know the story of King Lear from Shakespeare’s tragic play. But the original story actually comes from the medieval period, and it actually has a very happy ending.
Written sometime around 1468 amidst the gathering dusk of the medieval period Le Morte d’Arthur was an ambitious attempt to forge the self-contained, tonally dissonant, and sometimes contradictory fragments of the Arthurian legends’ broad canon into a single cohesive work.
As far as Arthurian literature was concerned, the fourteenth century was a time of spinoffs and magic, of original characters and adventure; and the greatest of these tales was Perceforest.
In the medieval tradition, Merlin was created by demons to bring about the downfall of Christianity.
King Edward I of England found not only a role model but a political tool every bit as puissant as the legendary king himself.
The latest filmed adaptation of the Arthurian legend is Cursed, released earlier this month on Netflix. How good is this series, and how does it portray the Middle Ages?
Today, being the world’s only Lancelot wall paintings preserved in situ, the Siedlęcin set ranks among the most outstandingly complete and well preserved in Europe.
Mary Stewart’s rather well known Arthurian trilogy-with-extra-volumes used a sub-Roman British setting, and placed an entirely twelfth century story of Arthur into it.
A third of the way through La mort le roi Artu (c.1230), an early thirteenth-century Old French prose romance that concludes the Lancelot Grail Cycle, ‘the greatest misadventure in the world’ takes place at Camelot, the court of King Arthur of Logres.
This week is all about King Arthur and his Knights on The Medieval Podcast.
Listen to the story of Lanval, a knight of the Round Table who is loved by a mysterious lady of the Otherworld – for better and for worse.
Interestingly, the writers of each new version of the Arthurian legend have chosen Merlin as their avatar: he functions in each text as historian, author, and prophet.
Arthurian horror is a thing.
King Arthur goes on a quest to learn ‘the nature or the heart of a woman’. What did he find out?
The secret to enduring popularity, clever marketers tell us, is changing just enough to stay relevant. Since the Early Middle Ages, no one has done that better than King Arthur.
“I’ve never feared for myself any more than I did when I was entangled with that devil…”
In medieval literature boars made teh perfect enemies that the hero must conquer in order to complete their quest.
Here we are in 2019 still discussing the possibility of an historical King Arthur. How and why that is the case is a fascinating story told expertly by the historian Nicholas J. Higham in King Arthur: The Making of a Legend,
I would suggest that post-Roman Britain is one of those periods in which there is a particular intimacy to the relationship between history and historical fiction.
Chances are good that unless you’re a scholar of Welsh literature, Arthurian legend, or early Scottish history, you’ve never heard of a Welsh poem called “Y Gododdin” (“The Gododdin,” in English).
From Merlin and Morgan le Fay to Here Lies Arthur. Minjie Su covers Here Be Dragons at the University of Oxford.
Gerald of Wales tells the story of a remarkable discovery at Glastonbury Abbey in the late twelfth-century. Had the remains of King Arthur been found?