Advertisement

Medievalists at the Movies: King Arthur: Legend of the Sword

King Arthur: Legend of the Sword premiered May 2017 MAN CANDY ALERT! When I sat down to watch “King Arthur” over this past weekend, I was a bit apprehensive. This big-budget, big-name feature film didn’t last very long in theaters (never a good sign) and it received overall negative reviews (typically, not always, not a […]

Greening Gawain: connecting environmental damage and masculinity in Sir Gawain and the Green Knight

This paper explores medieval environmental attitudes through a historical reading of Sir Gawain and the Green Knight

Sir Gawain Gets an 80s Reboot: The Sword of the Valiant Movie Review

This week, we have the retelling of the epic Arthurian romance of Sir Gawain and the Green Knight in this 1984 fantasy reboot.

Courtesy and Politeness in Sir Gawain and the Green Knight

A close reading of three selected passages of the Middle English alliterative romance Sir Gawain and the Green Knight provides a detailed picture of fictional and fairy-tale manifestations of courtly and polite behaviour in Middle English, a period that imported many new terms of courtesy and politeness from French.

Teaching Tolkien’s Translations of Medieval Literature: Sir Gawain and the Green Knight, Sir Orfeo and Pearl

J.R.R. Tolkien, the medievalist who became the father of modern fantasy literature, translated many poems out of Old English, Old Norse and Middle English into carefully versified modern English

Fourteenth-Century Weaponry, Armour and Warfare in Chaucer and Sir Gawain and the Green Knight

This essay attempts to re-appraise selected passages of Chaucer’s Canterbury Tales and Sir Gawain and the Green Knight from a wider military historical and archaeological perspective.

The Strategy of Challenges: Two Beheading Games In Medieval Literature

The Middle English poem Sir Gawain and the Green Knight and its Old Irish ancestor The Feast of Bricriu recount a remarkable stranger’s challenge to the hero, in effect, ‘You can chop off my head if you’ll let me return the blow.’

Roses are Red, Violets are Beowulf

Let’s take five minutes to look at medieval alliterative poetry, using some of the most famous poems of the period.

Crafting the witch: Gendering magic in medieval and early modern England

This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.

Medieval Misogyny and Gawain’s Outburst against Women in “‘Sir Gawain and the Green Knight’

The view has been gaining ground of late that the Gawain of Sir Gawain and the Green Knight, a knight renowned as ‘Pat fyne fader of nurture’ (1. 919) and as ‘so cortays and coynt’ of his ‘hetes’ (1. I525), degenerates at the moment of leave-taking from the Green Knight, his erstwhile host, to the level of a churl capable of abusing the ladies of that knight’s household (11.2411 -28).

A Kiss Is Just a Kiss: Heterosexuality and Its Consolations in Sir Gawain and the Green Knight

The famous line from that modern romance- “A kiss is just a kiss”- is the message the Gawain-poet gave his listeners six centuries ago.

The Canterbury Tales as Framed Narratives

Although I think that the notion of modern art as organic must be qualified and questioned, there is a certain force and validity to Jordan’s distinction between medieval and modern art. Modern art expects the parts to be somewhat subordinate to the whole. The dominant stress of New Criticism was on the organic nature of art.

“The Taint of a Fault”: Purgatory, Relativism and Humanism in Sir Gawain and the Green Knight

“The Taint of a Fault”: Purgatory, Relativism and Humanism in Sir Gawain and the Green Knight Bill Phillips Revista Alicantina de Estudios Ingleses, No. 17 (2004) Abstract Far from being a poem about the chivalric code, Sir Gawain and the Green Knight is essentially concerned with religion. The Romance genre is used to reveal the shortcomings […]

Seasonal Setting and the Human Domain in Early English and Early Scandinavian Literature

Seasonal Setting and the Human Domain in Early English and Early Scandinavian Literature Paul Sander Langeslag University of Toronto: Doctor of Philosophy, Centre for Medieval Studies (2012) Abstract The contrast between the familiar social space and the world beyond has been widely recognised as an organising principle in medieval literature, in which the natural and the […]

Function and Representation of Women in Fourteenth-Century English Arthuriana

This thesis investigates the function and representation of female characters through Arthurian tropes in three fourteenth-century English Arthurian texts: Sir Gawain and the Green Knight, ‘The Wife of Bath’s Tale,’ and Sir Launfal.

Listening for the Vikings: Some Evidence from Etymology

The Vikings left behind several kinds of evidence during their stay in Anglo-Saxon England. Richard Dance notes that ‘one crucial aspect is the etymological.’

Chaucer’s Arthuriana

The majority of medieval scholars, including Roger Sherman Loomis, argue that the popularity of the Arthurian legend in England was therefore on the wane in the latter half of the fourteenth century; as a result, the major writers of the period, such as John Gower and Geoffrey Chaucer, refrained from penning anything beyond the occasional reference to King Arthur and his court.

Tolkien’s Heroic Criticism: A Developing Application of Anglo-Saxon Ofermod to the Monsters of Modernity

The structure of this study follows the development of Tolkien’s social criticism and heroic aesthetic. The study begins by looking at some biographical elements of Tolkien’s life and how those elements shaped the creation of Tolkien’s anti-hero, the Hobbit.

“La Belle Dame Sans Merci?”: Gawain’s Knightly Identity and the Role of Women in Sir Gawain and the Green Knight

It is easy to read Sir Gawain and the Green Knight as a romantic celebration of chivalry, but this romance contains a more wide-ranging, more serious criticism of chivalry than has heretofore been noticed.

Treason and Betrayal in the Middle English Romances of Sir Gawain

This article explores the themes of treason and betrayal which are common motifs of medieval romances, specifically those featuring the Arthurian knight Sir Gawain.

Monstrous transformations: loyalty and community in four medieval poems

I will examine two forms of transformation, the werewolf transformation and the monstrous human transformation, both of which feature shape shifters who presumably cannot be trusted

A survey of the scholarship of Sir Gawain and the Green Knight

A survey of the major themes of Sir Gawain and the Green Knight (SGGK) reveals both the poem’s complexity and the poet’s artistry. A general examination of the poem permits commentary upon the work’s historical background, thematic unity, and narrative structure.

medievalverse magazine