Medieval Horror, Epistemic Fear, and the Cloud of Unknowing
Examines ideas about the horror genre through the late 14th-century Middle English work, The Cloud of Unknowing.
The Differences between Old English, Middle English and Modern English
The most noticeable difference between older forms of English and today’s English is the alphabet.
A Medieval Song for the Summer
One of the most famous pieces of music that has survived is a Middle English song about summer: “Sumer is Icumen In”.
Medieval Advice for Parents
A look at two Middle English texts that deal with advice: How the Goode Wife Taught Hyr Doughter and How the Goode Man Taught Hys Sone.
Medieval Storytime: Sir Orfeo
It’s medieval storytime! This week on The Medieval Podcast, a story from the ancient world is translated into the Middle Ages in the tale of Sir Orfeo.
Getting A Word In: Contact, Etymology and English Vocabulary in the Twelfth Century
This lecture explored the etymologies, meanings and contexts of some key words from this crucial time, as a way to think about the evidence for contact and change at the boundary of Old and Middle English and to illustrate how rich, diverse, challenging and surprising its voices can be.
Manuscripts of Middle English literature go online
Key manuscripts of Middle English literature have been digitised and made available online by the University of Manchester. They include works such as Geoffrey Chaucer’s The Canterbury Tales and John Lydgate‘s Troy Book and Fall of Princes.
Middle English Texts Series gets a boost from NEH
A pioneering initiative to make texts from the Middle Ages available to scholars and students around the world receives continued support from the National Endowment for the Humanities.
Growing mad: plant being and the medieval human in Sir Orfeo
In the Middle English Breton Lay Sir Orfeo, the eponymous hero describes his wife’s madness as her becoming “wyld and wode” (wild and wooden).
The way of obtaining the Grand Elixir : an edition of the ‘Tamyrtone’ text in BL Harley 1747
Take one quarter ounce of the sun and half an ounce of the moon, purified, and make of both of them thin metal filings. Then take an …
Why Is English So Weird?
The English language is notoriously difficult to learn and to spell. In this episode of The Medieval Podcast, Danièle talks about the medieval roots of English and how it got to be so weird.
A literary history of the ‘Soul and Body’ theme in medieval England
This theme is preserved and developed in several medieval English texts, both in prose and verse, dating from the tenth to the fifteenth century.
A memoir of the court of Henry VII
The memoir of the court of Henry VII for the years of 1486-90, contained in BL, MS Cotton Julius B. XII, fols. 8v-66r, represents an invaluable source for the study of court and socio-political life during the early years of the reign of Henry VII.
“My Written Books of Surgery in the Englishe Tonge”: The London Company of Barber-Surgeons and the Lylye of Medicynes
This article explores the later provenance of the Lylye amongst the Gale family of barber-surgeons in sixteenth-century London.
Fairies and the Fairy World in Middle English Literature: the Orpheus Tradition from the Classical Era to the Middle Ages
I decided I wanted to know more about those “medieval fairies”: were there other Middle English poems where I could find them?
“A translator is not free”: J. R. R. Tolkien’s Guidelines for Translation and Their Application in Sir Orfeo
While bemoaning his struggles with translating the Middle English poem “Pearl,” Tolkien declared to his aunt, Jane Neave, that ‘a translator is not free”: but he neglected to delineate the specific rules by which he believed translators were shackled.
Unknowing the Middle Ages: How Middle English Poetics Rewrote Literary History
The concept of the unknown captivated medieval theologians, mystics, lovers, and travelers for centuries, and yet literary scholars too readily reduce this topos to a romance trope.
Five Favourite Middle English Romances
My favourite old language is Middle English, with all its quirks and funny letters, so I thought I’d take the time to share five of my favourite Middle English romances with you.
Chaucer’s The Canterbury Tales in Middle English
Watch and listen to parts of The Canterbury Tales read in Middle English
Of Wilderness, Forest, and Garden: An Eco-Theory of Genre in Middle English Literature
I posit that the components of the environment play a role in the deployment of the narrative by shaping the characters and influencing the action.
For the Knyʒhtys tabylle and for the Kyngges tabylle: An Edition of the Fifteenth-Century Middle English Cookery Recipes in London, British Library’s MS Sloane 442
The present thesis offers an edition of some fifteenth century Middle English cookery recipes, more specifically those of the Sloane 442 manuscript (MS Sloane 442), located at the British Library, London. The cookery recipes of this collection were most likely meant for the tables of the upper classes
Teaching Tolkien’s Translations of Medieval Literature: Sir Gawain and the Green Knight, Sir Orfeo and Pearl
J.R.R. Tolkien, the medievalist who became the father of modern fantasy literature, translated many poems out of Old English, Old Norse and Middle English into carefully versified modern English
How to Speak Middle English
This four-part series of videos created by Youtuber Thatoneguyinlitclass gives a quick guide to speaking in Middle English.
Horticultural Landscapes in Middle English Romance
Gardens played a significant role in the lives of European peoples living in the thirteenth and fourteenth centuries.
Monstrous Women in Middle English Romance
I analyze Middle English narratives including the early sixteenth‐century translation of the prose Melusine, the Constance tale as adapted by Chaucer and Gower, and appearances of Medea in the works of Chaucer, Gower, and Caxton’s translation of the History of Jason to discover the ways these narratives use female monstrosity—in literal and figurative form—to dramatize the anxieties arising in a patriarchal society that defines the female as a slightly aberrant category of human