The medievalism of the FX television series Sons of Anarchy (2008-2014) is not inherently obvious. Set in Northern California, the series follows a fictional outlaw motorcycle club (MC) modeled on real gangs including the Hells Angels. Critics, fans, and creators alike discuss the series as an extended adaptation of Hamlet, and the broad narrative of the series is indeed a family tragedy.
Since a castle is its corporate logo, we should hardly be surprised that castles, as well as other elements of medieval architecture, figure prominently in a host of classic-era Disney films.
When many people think about the Middle Ages they see it as a time when people were tortured by a wide collection of diabolical instruments. Whether it is the Pear of Anguish or the Iron Maiden, these torture devices are portrayed as medieval. The reality, however, is that many of these devices never existed in the Middle Ages.
2015 brought a lot of interesting opportunities for our Five-Minute Medievalist, Danièle Cybulskie, including the chance to use her expertise to create a new, fully online course on medievalism in collaboration with Conestoga College.
As I explore how Disney medievalized nature, I also explore how Snow White and Sleeping Beauty, in a small but significant way, participated in mid-twentieth-century discourses on the environment.
The main idea behind this study is to look into Viking festivals’ contents, characteristics and its concept development. Together with that we test out the Experience design model effectiveness for using in the event studies. I
From the Middle Ages to Modernity: The Intersecting Supernatural Worlds of Melusine and Today’s Popular Culture
This work contains many elements common to supernatural tales of its time-shape-shifting, magic fountains and marriages between humans and fairies – yet it is also surprisingly relevant to our own age, whose popular culture is saturated with modem myths and vampire love-stories.
The next annual conference of the International Society of Medievalism will take place at Bamberg University and is scheduled to take place 18-20 July 2016.
First World War landscapes are a complex layering of commemorative materialities and spirituality, in which the past is recycled and memory perpetuated in the present.
Female characters in modern children’s literature have been shown to be represented in a stereotypical manner, but gender in historical fiction for children has received little scholarly attention.
Norwegian terrorist Anders Behring Breivik describes himself as a member of a neomedieval, underground paramilitary group known as the Knights Templar.
This thesis will examine how the Middle Ages are historically interpreted and portrayed in the United States.
A clerk ther was of Rowan County also…. What the Kim Davis Case Tells Us About America’s Long Middle Ages
Have you ever thought about the relationship between the words “clerk” and “clergy”?
This essay explores the environmental agendas and ambitions that motivate John Timothy Rothwell, ‘a mad biker chieftain wielding an axe,’ who, claiming to be a ‘post-Thatcher’ King Arthur,
Secret Gestures and Silent Revelations: The Disclosure of Secrets in Selected Arthurian Illuminated Manuscripts and Arthurian Films
This paper explores visual language and iconic systems central to the representation of the Arthurian cycle in thirteenth and fifteenth century Gothic illuminated manuscripts and in two Arthurian films; its focus is the theme of courtly love and crucial revelations of the secret or hidden.
Although the cathedrals were often mutilated, emptied of their relics, treasures, and clergy, their close association with national glory and the sense of fascination that association had brought about kept them from being closed or destroyed entirely.
The article makes the argument that the realities of the First World War shattered the chivalrous and romantic ideals of war so completely that the concepts and images were no longer appropriate for use as propaganda.
This roundtable explored some of the many pedagogies of medievalism in the modern academy. To what purposes is medievalism taught, and how? Using what texts and in what contexts?
With this essai I would like to advocate for a reconsideration of religion as an essential topic for medievalism studies.
“The Middle Ages is a space where White Supremecy is legitimised. The maintenance of white privilege. The gamer community use ‘historical facts’ to legitimise this kind of literacy.’
Through the Looking Glass Darkly: Medievalism, Satanism, and the Dark Illumination of the Self in the Aesthetics of Black Metal
The upside-down world of Satanic black metal is uncanny, both familiar in its use of inverted tropes and schemes and yet completely ‘other’ to those on the outside looking in, including Christians and consumers of mainstream popular culture.
This paper explores the appropriation of the Old English poem by modern popular culture in such a distinctive 20th-century art-form as the comic book, which proves that a heroic, legendary story already old for the Anglo-Saxons —it was set in geardagum, ‘the ancient days’— still elicits the interest of the audience in the modern world.
Primetime Paganism: Popular-Culture Representations of Europhilic Polytheism in Game of Thrones and Vikings
This article provides a critical examination of the politico-religious content of the highly successful television series Game of Thrones and Vikings.
In his latest film, From Runes to Ruins, Tom Rowsell examines how people in England are reclaiming their Anglo-Saxon heritage, including its religion.