
The main idea behind this study is to look into Viking festivals’ contents, characteristics and its concept development. Together with that we test out the Experience design model effectiveness for using in the event studies. I
Where the Middle Ages Begin

The main idea behind this study is to look into Viking festivals’ contents, characteristics and its concept development. Together with that we test out the Experience design model effectiveness for using in the event studies. I

This work contains many elements common to supernatural tales of its time-shape-shifting, magic fountains and marriages between humans and fairies – yet it is also surprisingly relevant to our own age, whose popular culture is saturated with modem myths and vampire love-stories.

The next annual conference of the International Society of Medievalism will take place at Bamberg University and is scheduled to take place 18-20 July 2016.

First World War landscapes are a complex layering of commemorative materialities and spirituality, in which the past is recycled and memory perpetuated in the present.

Female characters in modern children’s literature have been shown to be represented in a stereotypical manner, but gender in historical fiction for children has received little scholarly attention.

Norwegian terrorist Anders Behring Breivik describes himself as a member of a neomedieval, underground paramilitary group known as the Knights Templar.

This thesis will examine how the Middle Ages are historically interpreted and portrayed in the United States.

This essay explores the environmental agendas and ambitions that motivate John Timothy Rothwell, ‘a mad biker chieftain wielding an axe,’ who, claiming to be a ‘post-Thatcher’ King Arthur,

This paper explores visual language and iconic systems central to the representation of the Arthurian cycle in thirteenth and fifteenth century Gothic illuminated manuscripts and in two Arthurian films; its focus is the theme of courtly love and crucial revelations of the secret or hidden.

Although the cathedrals were often mutilated, emptied of their relics, treasures, and clergy, their close association with national glory and the sense of fascination that association had brought about kept them from being closed or destroyed entirely.

The article makes the argument that the realities of the First World War shattered the chivalrous and romantic ideals of war so completely that the concepts and images were no longer appropriate for use as propaganda.

This roundtable explored some of the many pedagogies of medievalism in the modern academy. To what purposes is medievalism taught, and how? Using what texts and in what contexts?

With this essai I would like to advocate for a reconsideration of religion as an essential topic for medievalism studies.

“The Middle Ages is a space where White Supremecy is legitimised. The maintenance of white privilege. The gamer community use ‘historical facts’ to legitimise this kind of literacy.’

The upside-down world of Satanic black metal is uncanny, both familiar in its use of inverted tropes and schemes and yet completely ‘other’ to those on the outside looking in, including Christians and consumers of mainstream popular culture.

This paper explores the appropriation of the Old English poem by modern popular culture in such a distinctive 20th-century art-form as the comic book, which proves that a heroic, legendary story already old for the Anglo-Saxons —it was set in geardagum, ‘the ancient days’— still elicits the interest of the audience in the modern world.

This article provides a critical examination of the politico-religious content of the highly successful television series Game of Thrones and Vikings.

In his latest film, From Runes to Ruins, Tom Rowsell examines how people in England are reclaiming their Anglo-Saxon heritage, including its religion.

Is Cersei a collection of bad medieval stereotypes? Have nerds gone mainstream? Were American cowboys a modern retelling of the medieval knight? Put down that comic, put away your bag of dice, and indulge your inner nerd.

In twentieth- and twenty-first century Anglophone culture, the impact of Beowulfiana — what we call that amorphous mass of materials that have accumulated around the poem — has been widespread yet subtle.

We feel confident in asserting that there are any number of telling informative analogies between Pulp Fiction and medieval chivalric literature, particularly Arthurian romance.

The article describes the experience of teaching undergraduate college students the history of Medieval Europe through individual research projects using the city of Baltimore (USA), its buildings, monuments, museums, and the professional medievalists working and residing in the area.

Medieval Fantasy, as an entertainment genre, supplements historical images of the Middle Ages with elements of myth in adventure stories featuring magicians, knights and ladies, castles, dragons, swords, and sorcery that are routinely consumed and absorbed.

‘I am here to talk to you about my life as a Viking and how it has changed and shaped my personality and the way I view several aspects of today’s society, and how I started hunting for the authentic experience.’
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