This lecture contextualizes the iconography of the Virgin Mary within the framework of Late-Antique and Early Medieval Egyptian Christianity.
One of the most important figures in Ethiopian Christianity was the 15th century Emperor Zar’a Ya’eqob.
Many digital websites and archives of medieval spaces and its objects are not only informed by what we might call a post-romantic notion of aesthetics, they also excise crucial dimensions of medieval materiality and performativity such as touch, smell, movement and sound.
This essay explores two parallel trajectories of mythic retrospection: medieval “myths” of the Biblical past (like Birgitta’s prophetic visions), and modern “myths” of the medieval past (like Kristeva’s survey).
In medieval theology, Mary‘s body, as the physical site of the Incarnation, provided an opportunity for speculation about the relationship between divinity and humanity…An examination of how Marian imagery is used as a rhetorical and meditative device in devotional texts will shed light on the way the relationship between human body and divine spirit was experienced.
This paper focused on the comparison of St. Brigit and the Virgin Mary in early Irish texts.
This thesis examines the significance of the Virgin Mary in England between the late fifteenth century and early sixteenth century. The primary sources selected indicate the variety of ideas circulating about her during this period. Strictly religious texts such as the Bible and early Christian writings ground Late Medieval beliefs about Mary in their historical context.
This thesis looks at the ways in which Benedictine monks contributed to the fashioning of images of Jews in sources related to the Marian cult in the post-Conquest period, 1066-1154.
The lintel fragment of Eve from the Cathedral of St. Lazaire at Autun (Figure 1) has been praised by art historians as one of the greatest monumental figural works of the Romanesque period.
Along with the popular devotion to the Virgin Mary, the theme of the ‘Coronation of the Virgin’ acquired high popularity through the artistic representation of the Virgin.
The motif of the Virgin at the loom occurred with frequency in Western art only after the Feast of the Presentation of the Virgin (celebrated by the Byzantine Church on November 21 from the seventh or eighth century onward) was introduced into the West in 1372.
Three stories from this time period focus on a sort of courtly love relationship between two people that involves this characteristic giving of a gift: Sir Gawain and the Green Knight, Guigemar, and an apocryphal account of the Assumption of the Virgin Mary into heaven by “John the Evangelist”. These seemingly different stories share one unifying bond: a belt.
Legend, Veneration, and Nationalism: The History of Devotion and Pilgrimage to the Miraculous Icon of Our Lady of Czestochowa Młynarz, Mike (University of…
Through the ages, Christian seafarers have had recourse to a number of saints in search of protection against the many perils of the sea.
The Genesis of the Black Madonna By Jacqueline Leinbach Published online by The Mint Museum (2006) Introduction: This study will focus on representations…
Madonna of the Sun and the Moon — Virgin Mary as an Apocalyptic Woman and theRepresentations of the Picture Type in Finland Vuorela,…
Patronage and Piety: Montserrat and the Royal House of Medieval Catalonia-Aragon Morris, Paul N. (University of California, Los Angeles) MIRATOR LOKAKUU/OKTOBER/OCTOBER (2000) Abstract This…