Tag: Folklore

Medieval depiction of animals
Articles

Nourishment for the Soul – Nourishment for the Body: Animal Remains in Early Medieval Pomeranian Cemeteries

Late medieval sources clearly refer to souls, which in traditional folk beliefs were periodically returning to feed and warm themselves by the fires made by the living. This kind of conception can be merged with Slavic eschatology. There is multiple evidence to confirm that belief some form of spirit or soul was spreading amongst the people, who in the early medieval period, bordered directly with Pomerania.

The Pied Piper of Hamelin
Articles

The Legend of the Pied Piper in the Nineteenth and Twentieth Centuries: Grimm, Browning, and Skurzynski

This paper examines the changes that were made in the literary telling and retelling of the story of the Pied Piper during the nineteenth and twentieth centuries, comparing the folktale “Die Kinder zu Hameln” (1816) by Jacob and Wilhelm Grimm, the poem “The Pied Piper of Hamelin”(1842) by Robert Browning, and the book What Happened in Hamelin (1979), by Gloria Skurzynski.

Articles

Faerie Folklore in Medieval Tales: An Introduction

Defining the term ‘faerie’ is not easy; some definitions include only specific, pre-Christian types of mythological creatures while other definitions include all of the spirits, angels and supernatural animals as well as the souls of the dead. I will take a middle road and include the spirits and the souls of the dead, since the dead and the faeries have an intimate connection in the folklore of the British Isles.

Articles

“A Swarm in July”: Beekeeping Perspectives on the Old English Wið Ymbe Charm

At the same time, however, their differing responses to the remedy attest both to the variation of beekeeping practices and the multivalence of Wið Ymbe itself. The fact that two beekeepers interviewed within two days and two hundred miles of each other can respond differently to the charm’s advice on swarms suggests that we reevaluate unilateral assertions regarding what the text might have meant across the hundreds of years that we now know as the Anglo-Saxon period.

Articles

Creativity, the trickster, and the cunning harper king: A study of the minstrel disguise entrance trick in “King Horn” and “Sir Orfeo”

What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.