This paper explores visual language and iconic systems central to the representation of the Arthurian cycle in thirteenth and fifteenth century Gothic illuminated manuscripts and in two Arthurian films; its focus is the theme of courtly love and crucial revelations of the secret or hidden.
Secret Gestures and Silent Revelations: The Disclosure of Secrets in Selected Arthurian Illuminated Manuscripts and Arthurian Films
Merlin, child of a demon and pious woman, first appears in late twelfth century literature and develops uncanny prophetic abilities and unnatural powers rooted in his supernatural heritage, transforming him into a mysterious figure empowered by knowledge and cloaked in dichotomies resulting from his mixed parentage.
In 751, the Carolingians supplanted the traditional ruling dynasty of Francia. This article surveys Carolingian political rituals between 751 and 800, and argues that ritual was one means through which this new royal family sought to construct and legitimate its authority against its dynastic competitors.
Reflection of the Wars of the Roses in Thomas Malory`s Le Morte D`Arthur: Literary-cultural analysis
The aim of this research paper is to analyse the Morte D’Arthur and find certain historical moments incorporated in the book. Firstly, as the goal of work follows a hypothesis that Thomas Malory reflected manifold incidents from the Wars of the Roses in the Morte D’Arthur, it was inevitable to understand author’s position in this civil war, which meant investigating in the authorship.
I recount some of the various activities of Edward I where he appears to use Arthurian legend in a political context, making no attempt to draw conclusions about the nature of national identity in thirteenth century England, but rather to demonstrate the potential of this era for re-evaluation and reinterpretation by those interested in pursuing such matters.