In light of recent world events, this talk addresses some of the disciplinary questions about methodology and classification that underlie the study and teaching of medieval art today.
The Noblest of Sports: Falconry in the Middle Ages By William H. Forsyth The Metropolitan Museum of Art Bulletin, New Series, Vol. 2, No. 9 (1944) Introduction: “Ah, what great pleasure God our Lord conferred on man when He gave him the sport of dogs and birds … and when He willed that beasts and birds […]
Watchful Warriors on Viking-Age Sculpture Lecture by Howard Williams Given at the University College Isle of Man on December 14, 2016 Almost every book about the Vikings includes photographs of warriors found on early medieval carved stones from Britain, Ireland and the Isle of Man. How do we interpret these images? Why were figures with […]
This paper examines depictions of Muslims in illuminated manuscripts produced in France between 1200-1420 that feature images of Christian-Muslim interactions.
Long shrouded in secrecy, alchemy was once considered the highest of arts. Straddling art, science, and natural philosophy, alchemy has proven key to both the materiality and creative expression embedded in artistic output, from ancient sculpture and the decorative arts to medieval illumination, and masterpieces in paint, print, and a panoply of media from the European Renaissance to the present day.
This article will suggest that its presence is much more sinister than that of a wise observer shaking his head as he sees the follies of mankind.
The portrayal and (mis)use of the figure of the Jew and the Muslim in vernacular sermons and wall paintings from medieval Denmark and Sweden.
Persis Berlekamp is working on Islamic talismans created in the 12th to 15th centuries, focusing on objects from the Seljuk, Mongol and Timurid milieux.
Video of a paper given by James Hester at the 2016 IMC
by Danièle Cybulskie If there’s one thing medieval people loved, it was writing educational treatises. Sometimes, these were a little on the fantastic side – like bestiaries or travel literature – but other times, they were extremely useful how-to manuals. I particularly love the how-to manuals because they can teach us so much about medieval […]
Dr. Klein’s lecture about art, faith and politics in late medieval Venice.
In the course of the fourteenth and fifteenth centuries the Trojan legend was one of the most popular myths in the European courts, and in the Burgundian court in particular. The legend was depicted in numerous tapestries and illuminated manuscripts.
Another fantastic talk. Professor Caroline Bruzelius talks to us about medieval art, architecture, and the role of the cathedral in Medieval society.
Danièle Cybulskie, the @5minMedievalist brings us a piece on Anglo-Saxon poetry.
The Global Side of Medieval at the Getty Centre: Traversing the Globe Through Illuminated Manuscripts
Los Angeles correspondent, Danielle Trynoski takes through the, ‘Traversing the Globe Through Illuminated Manuscripts’ exhibut at the Getty Museum.
Traversing the Globe through Illuminated Manuscripts, on view January 26–June 26, 2016 at the J. Paul Getty Museum at the Getty Center, offers the opportunity to explore the strong connections between Europe and the broader world during the Middle Ages and Renaissance.
Early Irish ornament very rarely occurs without interlace, in either of its two different varieties, which are the plait and the knot. Such ornamental knotwork and interlace patterns as they appear in the full-page portraits and illustrations of the Book of Kells will be the concrete object of study of the following pages, their possible apotropaic function, their particular focus.
How well do you know these masterpieces?
A guest post by Armstreet on Snake motifs in 10-12th century Viking art
This study will trace the development of fantasy in European painting from 1250 to 1650 A.D.
Decorative art in Scandinavia during the late Iron Age and Viking Period was largely dominated by animals in stylized forms.
Danielle Trynoski takes a look at two new exhibitions at the Getty Centre – Eat, Drink, and Be Merry and The Edible Monument – with curators Christine Sciacca and Marcia Reed
I love gargoyles. While there are so many beautiful pieces of sculpture that have survived the Middle Ages, like so many people, I’m drawn to those strange and ugly funny faces, not least of all because I can’t figure out what they’re for.
A Needle’s Breadth Apart: The Unexplored Relationship Between Medieval Embroidery and Manuscript Illumination
I am currently exploring records showing that there is evidence that some individuals were involved in both. In particular, mention of two nuns who were known as embroiderers and illuminators.