The Icon of God and the Mirror of the Soul: Exploring the Origins of Iconography in Patristic Writing
The Icon of God and the Mirror of the Soul: Exploring the Origins of Iconography in Patristic Writing Andreopoulos, Andreas Comitatus Vol.31 (2000)…
Reclaiming the Sheela-na-gigs: Goddess Imagery in Medieval Sculptures of lreland
Reclaiming the Sheela-na-gigs: Goddess Imagery in Medieval Sculptures of lreland By Ann Pearson Canadian Women’s Studies, Vol. 17:3 (1997) Introduction: The small, sexually-specific…
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“Necessity the Mother of Invention” in early medieval enamel
“Necessity the Mother of Invention” in early medieval enamel By David Buckton Transactions of the Third Canadian Conference of Medieval Art Historians (University of…
Were the Roman catacombs abandoned in the ninth century AD?
Were the Roman catacombs abandoned in the ninth century AD? By John Osborne Transactions of the Third Canadian Conference of Medieval Art Historians (University…
Figural representation in early Islamic Art
Figural representation in early Islamic Art By Mahmoud Sadek Transactions of the Third Canadian Conference of Medieval Art Historians (University of Western Ontario, 1985)…
Architectural representation in late medieval manuscript illumination
Architectural representation in late medieval manuscript illumination By Sarah McKinnon Transactions of the Third Canadian Conference of Medieval Art Historians (University of Western…
Leonardo da Vinci, Sculptor
In view of the ill-fated attempt of Geheimrat Bode to acquire, in the wax bust of the Flora, a real Leonardo for the Berlin Museum, writers have become more chary in attempting to assign works of sculpture to that artist.