The Scandinavian element beyond the Danelaw
The present paper concentrates on the Scandinavian element present in Eng- lish in the area beyond the Danelaw, i.e. in the West Midlands and Southern parts of the country.
The Cross as Tree: The Wood-of-the-Cross Legends in Middle English and Latin Texts in Medieval England
The wood-of-the-cross legend is actually a group of narratives that trace the pre- history of the wood used to make Christ’s cross back to Old Testament figures, or in some cases back to paradise itself.
Reading “The Revelations of Elizabeth of Hungary” as a Devotional Text
In this thesis I would like to move beyond the discussions of authorship for The Revelations and begin to examine the text itself. In fact, I neither attempt to question the arguments for Elizabeth of Töss’s role as the visionary in the text, nor do I deny that someone in the community acquainted with Elizabeth, either first-hand or close to it, wrote her visions down.
Rhetorics of Pain and Desire: The Writings of the Middle English Mystics
This dissertation “Rhetorics of Pain and Desire: The Writings of the Middle English Mystics,” seeks to explore the connections between desire and pain in the writings of Richard Rolle, Julian of Norwich, Margery Kempe and Walter Hilton. All four writers develop a rhetoric that allows them to use pain and/or desire as a catalyst through which their writing becomes embodied.
Threads of resistance to the post-conquest Kings of Norman Descent
Produced almost 250 years after first contact with the Norman colonizer, the exclusive use of Middle English was a subversive choice that challenged the Norman claim to power and criticized the post-Conquest kings of Norman descent while working to re-make and re-claim an ‘English’ identity.
“My trouthe for to holde—allas, allas!”: Dorigen and Honor in “The Franklin’s Tale”
We can see from the beginning of the Franklin’s Tale that honor as pub- lic esteem is an overriding concern for Arveragus, who qualifies his exceedingly courtly marriage vow, swearing always to remain Dorigen’s servant in love, with the condition that he retain the public appearance of lordly husband, “That wolde he have for shame of his degree”.
Medieval Book History Week Lecture: “Practical Latin and Formal English in the 14th-15th Centuries”
This lecture is part of Medieval Book History Week. Renown Professor Jeremy Catto spoke about literacy and language in England during the later Middle Ages at the Pontifical Institute of Mediaeval Studies at the University of Toronto.
Authors, Scribes, Patrons and Books
This essay gives an account of the social role of manuscripts and early printed books and the processes by which they were made, processes that changed greatly during the period
Chaucer’s costume rhetoric in his portrait of the Prioress
No critic has ever discussed costume signs in order to reveal to what extent the Prioress does or does not conform in her costume to the fourteenth century norm, with consideration given, simultaneously, to the historical records, literature and visual arts of the period that form and inform the signs from the many traditions Chaucer in corporates in his portrait of the Prioress.
Historical imagination in/and literary consciousness: The afterlife of the Anglo-Saxons in Middle English literature
The long-held belief that the Norman Conquest represented a cultural apocalypse has been challenged by scholars who have emphasized continuity and gradual change as opposed to the agonistic model that formerly placed a crisp border between the AngloSaxon period and the arrival of the Normans.
The Reference Corpus of Late Middle English Scientific Prose
This paper presents the current status of the project Reference Corpus of Late Middle English Scientific Prose, which pursues the digital editing of hitherto unedited scientific, particularly medical, manuscripts in late Middle English, as well as the compilation of an annotated corpus
Treason and Betrayal in the Middle English Romances of Sir Gawain
This article explores the themes of treason and betrayal which are common motifs of medieval romances, specifically those featuring the Arthurian knight Sir Gawain.
The Virtuous Pagan in Middle English Literature
From the first through the fourteenth centuries, a succession of solutions to the problem of these virtuous pagans evolved. For the Early Church, an attractive solution was that Christ descended into Hell to convert the souls he found there.
The True Characters of Criseyde and of Diomede in Chaucer’s Troilus and Criseyde: A Restoration of the Reputations of Two Misunderstood Characters Unjustly Maligned in Literary Criticism
This is a defence of the characters of Criseyde and of Diomede based, inter alia, on a close textual analysis.
Christian Cato: A Middle English Translation of the Disticha Catonis
It is possible that this translation is the result of an exercise by a not very gifted schoolboy.
The Use of the Rhetorical Exordium in Middle English Drama
In this paper I wish to single out one group of Middle English writings, the mediaeval drama, to examine more closely the interesting applications of the doctrine as exhibited in the “banns” of the miracle plays and of certain moralities, and in the traditional prologues, but es pecially in the more “organic” solutions arrived at by the authors of Man kind and Everyman.
The Evolution Of English
A video lecture on the origin and vagaries of the English language up to the 15th century
Queer Pedagogy (A Roundtable)
A roundtable discussion on teaching Queer Theory with Susannah Mary Chewning (Union County College) Lisa Weston (California State University–Fresno); and Michelle M. Sauer, (University of North Dakota)
Creativity, the trickster, and the cunning harper king: A study of the minstrel disguise entrance trick in “King Horn” and “Sir Orfeo”
What does a hero do when he finds himself in an impossible situation where customary tactics are useless; magic is not in the cards, and divine intervention unlikely? He could give up. Or he could use cunning. In both King Horn and Sir Orfeo, the hero wiggles out of just such a squeeze by using a minstrel disguise entrance trick—a sort of musical Trojan horse for which the enemy’s closely guarded gates swing open in welcome.
The Middle English Manuscripts and Early Readers of Ancrene Wisse
The main manuscripts (i.e. leaving aside E’) range in date from the mid- thirteenth to the fifteenth centuries. The eartiest seem to be C and A. These manuscripts both seem to date on textual and palaeographical grounds from around the middle of the first half of the thirteenth century (C has revisions by other scribes in hands from towards the end of the century).
A survey of the scholarship of Sir Gawain and the Green Knight
A survey of the major themes of Sir Gawain and the Green Knight (SGGK) reveals both the poem’s complexity and the poet’s artistry. A general examination of the poem permits commentary upon the work’s historical background, thematic unity, and narrative structure.
Love, Labor, Liturgy: Languages of Service in Late Medieval England
Working with three major Middle English texts – William Langland’s Piers Plowman, Julian of Norwich’s Revelation of Love, and Geoffrey Chaucer’s Troilus and Criseyde – my thesis argues that the languages of service available to these writers provided them with a rich set of metaphorical tools for expressing the relation between metaphysics and social practice.
VAGANTES: “That is a Long Preamble of a Tale”: Mobile Narratives in Fragment III of the Canterbury Tales
This paper focused on the 12 lines from fragment 3 of the Canterbury Tales of The Wife of Bath.
“Kan he speke wel of love?”: Luf talk and Chivalry
In my view, Criseyde’s inquiry about Troilus’s verbal skill in “luf talk” highlights more a problematic issue of Criseyde’s concern about a man’s “loves craft” than that of his class in society. As Chaucer’s narrator remarks in the proem of Book II (22-42), every human activity in love is governed by language conventions, expressive shortcuts that a community agrees to understand and honor…