Quiz: Politics and the State in the Renaissance, 1450-1521
This quiz tests your knowledge of the Italian city-states during the Renaissance.
Why did Attila leave Italy?
Reporting on the paper ‘Attila’s Appetite: The Logistics of Attila the Hun’s Invasion of Italy in 452’, by Jason Linn, given at the International Congress on Medieval Studies
Renaissance Splendors in L.A.
Danielle Trynoski takes in the new Renaissance Splendors of the Northern Italian Courts exhibit at the Getty Center in Lost Angeles
Teenage Rebellion in the Middle Ages: How Salimbene de Adam became a Franciscan
It is a popular story – the teenage son defying his parents and doing something very rebellious. It could be using drugs, getting a tattoo, or falling into with the wrong type of people. Back in the thirteenth-century, the rebellious son might become a Franciscan!
Sacerdos et Predicator: Franciscan ‘Experience’ and the Cronica of Salimbene de Adam
The Chronicle of the thirteenth-century Franciscan friar Salimbene de Adam is filled with an abundance of self-referential passages.
Getty Museum opens Renaissance Splendors of the Northern Italian Courts exhibition
The J. Paul Getty Museum has opened its newest exhibition – Renaissance Splendors of the Northern Italian Courts – which brings together 25 works including illuminated manuscripts, paintings and drawings that showcases the beautiful artistic production taking place in cities such as Milan and Ferrara during the 15th century.
Lightning Strikes in Medieval Florence
Luca Landucci writes about lightning strikes in 15th century Florence.
Top Ten Insults against Savonarola
‘He is a fruit quite worthy of his diabolical seed.’
Breaking the Mold: The First Woman in Italian Literature
Active between 1260-1270, the woman known only as La Compiuta Donzella (the fulfilled damsel) attracted the attention of several male writers. Two of them were astonished that such wisdom could be found in a female.
Topography of Prostitution in Renaissance Ferrara
On any given morning in 1471, the prostitute Giovanna of Venice, then resident of a Ferrarese brothel on Via Malborghetto, might have contemplated with resignation the options open to her for a day on the town.
Some Wise Advice from Francesco Guicciardini
Ten of our favourite maxims from the Italian Renaissance scholar Francesco Guicciardini
An Italian cemetery may provide clues on cholera’s evolution
Burial grounds ‘a thousand-year history’ into human health
How to restore virginity – advice from Caterina Sforza
If you follow the advice of Caterina Sforza, ‘you will see that thing become so narrow that you yourself will be in admiration.’
10 Creepy Things to See at the Louvre That Are Better Than the Mona Lisa
If you’re an ancient historian, a medievalist, or early modernist, there are so many other amazing pieces and works of art a the Louvre other than these two tourist staples. Here is my list of cool, creepy, unusual and better than the Mona Lisa at the Louvre in Paris.
From Tempests and Hydraulic Machines to the Arno Diversion: the Historical Significance of da Vinci’s Study of Water
Reemergence of classical thought and the importance of water in society led da Vinci to pursue multiple projects regarding his study of water – culminating in the project to divert the Arno River.
Move over Milan! Late Medieval and Renaissance Fashion in Venice
Milan may be Italy’s current fashion capital, but Venice had an important role to play in the development of the Italian fashion and textile industry since the late middle ages and renaissance period.
The Importance of Being Good: Moral Philosophy in the Italian Universities, 1300–1600
This paper therefore explores how important moral philosophy was, during the Italian Renaissance, as an independent university subject, and whether its status had a direct relationship with that of rhetorical studies
Shaping a Saint’s Identity: The Imagery of Thomas Becket in Medieval Italy
This article sets out to trace the visual responses to the sainthood of Thomas of Canterbury outside of his original cultural context, namely in Italy, where his cult was readily received, integrated and modified.
Medieval Books for Christmas
It’s that time of year again – the mad scramble for the perfect Christmas gift for the historian, nerd, avid reader on your list. Here are a few suggestions for you – new releases for December and January!
How to protect yourself against the Plague: Remedies from Renaissance Italy
‘Rue tops, one clove of garlic, a walnut, a grain of salt, and eat on an empty stomach everyday for up to a month, and you must be cheerful, and this recipe, it’s good against vermin and it’s perfect.
The Morality of Misogyny: The Case of Rustico Filippi, Vituperator of Women
At the outset of his influential study on Rabelais, Mikhail Bakhtin makes an interesting observation. The scholar dedicates several pages to detail how the French author’s critical reception changed over time. Bakhtin illustrates how the attempt to comprehend an author can frequently be stymied by the cultural changes that occur across the centuries.
The Sincere Body: The Performance of Weeping and Emotion in Late Medieval Italian Sermons
In 1493 the well-known and controversial Franciscan preacher Bernardino of Feltre gave a series of Lenten sermons to the people of Pavia. On March 11 he dedicated an entire sermon to the necessity of contrition—or perfect sorrow over sin—in the rite of confession.
CONFERENCES: The Stellinga, the Saxon Elite, and Carolingian Politics
This is my summary of a paper presented at the Institute of Historical Research on the causes of the Stellinga uprising in the Carolingian period.
Flee the loathsome shadow: Marsilio Ficino (1433-99) and the Medici in Florence
This article examines the changing political landscape of Medicean Florence, from Cosimo de’ Medici (1389-1464) to his grandson Lorenzo the Magnificent (1449-1492), through the letters of the celebrated neo-Platonist philosopher Marsilio Ficino (1433-99).
Constructing social identity in Renaissance Florence: Botticelli’s ‘Portrait of a Lady’
This study scrutinizes a work within a neglected portion of Botticelli’s oeuvre, examining the ways in which its modest, and somewhat ambiguous, visual cues also construct its sitter’s elevated social identity, while simultaneously protecting it.