Death and the Fraternity: A Short Study on the Dead in Late Medieval Confraternities
Since the publication of Philippe Aries’ ground-breaking The Hour of our Death, historians of confraternities have largely followed his lead and treated confraternities as a “guarantee of eternity.”
A historiographical and artistic survey of confraternities from the later Middle Ages to the early Renaissance
Overall, the analysis will allow for a closer examination of not just the culture of a particular confraternity, but also the cultural values, ideals, and practices of an entire community in one period of time. Furthermore, the examination of confraternal artwork will prove important, as it will demonstrate the unique power of confraternities.
Confraternities, Memoria, and Law in Late Medieval Italy
To view medieval brotherhoods or confraternities as associations of laymen or clerics with predominantly religious functions almost automatically leads to the conclusion that fraternity and memoria have much in common.
Donor Portraits in Late Medieval Venice c.1280-1413
Although the donor portrait was extremely popular throughout Europe and mainland Italy during the late Middle Ages, the few art historians who have addressed the subject have concluded that the motif was not popular in fourteenth-century Venice.