Today’s cultural image of a Viking is of a hulking man fit with a horned helm and piles of fur. Is there a better way of creating clothing that melds fantasy and reality?
Dumbarton Oaks Museum and the George Washington University Museum, both in Washington D.C., have open new exhibitions that look at fashion, clothing and textiles from the medieval world.
When it comes to historical fashion, nothing stands out more than an item woven with shiny metal threads.
In this introductory essay, I intend to clarify the discipline of costume history by offering an overview and synthesis of the scholarship of the last two decades
Nalbinding is a craft that has been done for thousands of years. This form of knitting has been shrouded in isolated corners of heritage interpretation and within living history groups; but are there other groups of interested individuals who could help learn and develop this craft?
Here are some tips to create your own thrifty costume! With these suggestions you’ll have your own “medieval” wardrobe!
Clothiers were the entrepreneurs at the heart of the cloth trade which became England’s leading industry in the late Middle Ages. No other industry created more employment or generated more wealth.
This study is an examination of attempts to control dress in late medieval England.
Despite being one of the most important garments, underwear is the part of medieval clothing that is often ignored and unexplored in historical fiction and costuming. What can we say about this element of fashion, which has been overlooked for far too long?
This thesis examines the development, production and function of dress pins in Anglo- Saxon England.
A special feature of three of the bodies was that their skulls were wrapped in linen cloth. Not only the forehead and neck, but also mouth, nose and eyes were covered with linen. These linen wrappings must have been applied especially for burial purposes.
Nalbinding is the Viking-Age term for single-needle knitting. A traditional wool craft that would be used to make woollen hats, socks, gloves and mittens.
In this article, we will examine some sources in which pawns were registered in order to gain a better idea of those whom the monti di pietà helped.
What lies at the core of this analysis of the conceptions about religious clothing – used as a heuristic tool – is precisely its capacity to show not only how the identities of the religious orders of the period evolved, but also how they were perceived and conceived, and how they shaped these changes.
The present article will discuss an economic meaning given to clothing and nakedness that similarly relates clothing to economic means and nakedness to poverty, but is informed differently still.
There is very little work done on the topic of secondhand clothing in the Middle Ages, but what has been done has revealed a new phenomenon that reshaped the social structure of medieval England.
Churchmen in the late thirteenth and early fourteenth centuries tried to regulate the costume of Italian women. These efforts failed, and regulation was largely left thereafter to civic authorities.
Beginning in the early Middle Ages, military garments evolved from simple identifying clothing with little ornamentation, to richly decorated garments that reflected the increasingly complex – and somewhat artificial – heraldic composites.
Miriam Frenkel examines the Cairo Geniza records as a source of Jewish life in the Middle Ages.
In this article I will focus on two areas in which clothes provide us insights into Wolfram’s complex commentary on constructions of masculinity and femininity, and the discourse of courtly love
Textile production was a key industry for the Norse colonies of the North Atlantic during the late Viking and Medieval period.
The V&A Museum opened its latest medieval exhibit exhibit on Saturday: Opus Anglicanum: Masterpieces of English Medieval Embroidery. I had the opportunity to see it opening day and it was spectacular.
A look at women’s work and family life in the Viking Age.
Focusing on the types of clothing imported into the realm, and using information from the royal accounts and tithes of a number of ports in the Bay of Biscay, I focus on issues of production and consumption in late medieval Castile and what this information tells us about the economic structures of the realm and on the exaggerated consumption of foreign cloth by certain groups within Castilian society.