An important manuscript commissioned by a female patron almost a thousand years ago has been added to the collections of the J. Paul Getty Museum. Known as the Irmengard Codex, it contains 15 full-page illuminations.
The Irmengard Codex was created in Germany in the mid-11th century. Its patron, Irmengard of Nellenburg, was the niece of the Ottonian Emperor Henry II (973-1024). While the text of the manuscript was written between 1030 and 1050, the illuminations were added just after Irmengard’s husband and son were killed in 1053 at the Battle of Civitate.
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The starkly beautiful illuminations, which are coloured with pinks, blues, and lavenders, include portraits of the four evangelists – Matthew, Mark, Luke and John – and images that highlight the most important feasts of the Christian calendar. Illuminations such as the Annunciation and the Three Marys at the Tomb are conceived as double-page spreads, with the scene spanning across both pages to form a single composition. This dramatic narrative device was also utilized in the final two-page spread featuring Irmengard and her husband offering the book itself to Christ and Saint Michael.
“The Irmengard Codex represents the preeminent center of German illumination of the period, the Reichenau school, in which the powerful and theatrical figures underscore the stateliness of events they enact,” says Elizabeth Morrison, senior curator of manuscripts at the Getty Museum. “We have been unable to add any object from this remote era to the collection since the 1980s, so it is impossible to overstate the historic rarity of this acquisition.”
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Here are the remaining images:
Dr. Jörn Günther Rare Books announced that they had sold the Irmengard Codex to the museum, but no details on the price have been released. The manuscript will be showcased in an upcoming exhibition this fall. Please visit the Getty Museum website to learn more.
An important manuscript commissioned by a female patron almost a thousand years ago has been added to the collections of the J. Paul Getty Museum. Known as the Irmengard Codex, it contains 15 full-page illuminations.
The Irmengard Codex was created in Germany in the mid-11th century. Its patron, Irmengard of Nellenburg, was the niece of the Ottonian Emperor Henry II (973-1024). While the text of the manuscript was written between 1030 and 1050, the illuminations were added just after Irmengard’s husband and son were killed in 1053 at the Battle of Civitate.
The starkly beautiful illuminations, which are coloured with pinks, blues, and lavenders, include portraits of the four evangelists – Matthew, Mark, Luke and John – and images that highlight the most important feasts of the Christian calendar. Illuminations such as the Annunciation and the Three Marys at the Tomb are conceived as double-page spreads, with the scene spanning across both pages to form a single composition. This dramatic narrative device was also utilized in the final two-page spread featuring Irmengard and her husband offering the book itself to Christ and Saint Michael.
“The Irmengard Codex represents the preeminent center of German illumination of the period, the Reichenau school, in which the powerful and theatrical figures underscore the stateliness of events they enact,” says Elizabeth Morrison, senior curator of manuscripts at the Getty Museum. “We have been unable to add any object from this remote era to the collection since the 1980s, so it is impossible to overstate the historic rarity of this acquisition.”
Here are the remaining images:
Dr. Jörn Günther Rare Books announced that they had sold the Irmengard Codex to the museum, but no details on the price have been released. The manuscript will be showcased in an upcoming exhibition this fall. Please visit the Getty Museum website to learn more.
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