Tag: Poetry in the Middle Ages

Articles

The Crown in the Nibelungenlied

Among the many unsolved problems which continue to exercise the mind of the student of the the one receiving directly Nibelunmgenlied, and indirectly the greatest attention today is that of the positiontaken by the Nibelungenlied in relation to the other poetical works of the period in which it was given its final form.

Articles

Gower’s “Confessio” and the “Nova statuta Angliae”: royal lessons in English law

In the following discussion, I will explore some hitherto unexamined links between the Confessio Amantis and one of these legal texts, the Nova Statuta Angliae or New Statutes of England, which circulated among professional and non-professional readers in the 1380s and 1390s and which Richard II received in a manuscript now in Cambridge: St. John’s College MS A.7.

Articles

Impregnable friendship : locating desire in the middle English ‘Amis and Amiloun’

Scholarship on Amis and Amiloun has generally been divided into two critical schools. The majority of critics have read the work as an exemplar of perfect friendship, overlooking (or ignoring) any trace of homoeroticism, citing the possibility itself as anachronistic, or explaining away its presence by offering historical or theoretical justification for intimacy among medieval men.

Articles

‘Cast out into the hellish night’: Pagan Virtue and Pagan Poetics in Lorenzo Valla’s De voluptate

Valla wrote about Epicureanism before the Renaissance rediscovery of classical Epicurean texts. Poggio Bracciolini had not yet circulated his newly-discovered manuscript of first century Epicurean philosopher Lucretius’ De rerum natura, and Valla wrote without access to Diogenes Laertius’ Lives of the Philosophers, which discussed Epicurus’ teachings in greater detail.

Articles

Heorot and the Plundered Hoard: A Study of Beowulf

Time and again the Beowulf poet’s choice of words and details reveals that he practised his craft within a tradition in which his creativeness was bound and disciplined by the objectiveness of a particular structure of images. We perceive in all the rich variety of his work the unifying effect of the typological imagination. It is in the typological mode of Beowulf that the key to its meaning and artistry is to be found.