Tag: Old English

Articles

Wonders and Wisdom: Anglo-Saxons and the East

What the Anglo-Saxons ‘knew’ about Moslems and Jews, and about Babylon and Egypt and India, depended upon Biblical exegesis, saints’ lives, and other texts derived from Latin sources. Numerous Old English texts, as well as Latin versions that circulated and were copied in Anglo-Saxon England, concern Asia; these are quite varied in genre and in content.

Articles

Heorot and the Plundered Hoard: A Study of Beowulf

Time and again the Beowulf poet’s choice of words and details reveals that he practised his craft within a tradition in which his creativeness was bound and disciplined by the objectiveness of a particular structure of images. We perceive in all the rich variety of his work the unifying effect of the typological imagination. It is in the typological mode of Beowulf that the key to its meaning and artistry is to be found.

Anglo Saxon
Articles

A Christological reading of The Ruin

We should be aware that the semantic scope of each word may vary drastically and that the reader is influenced by many variables in attaching the meaning to a given word. The question becomes trickier if we take the allegorical viewpoint, because polysemy is concerned with the entire text, not with just a word. Thus, we should not consider the surface meaning of the words, but look more carefully for the covert meanings.

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“A Swarm in July”: Beekeeping Perspectives on the Old English Wið Ymbe Charm

At the same time, however, their differing responses to the remedy attest both to the variation of beekeeping practices and the multivalence of Wið Ymbe itself. The fact that two beekeepers interviewed within two days and two hundred miles of each other can respond differently to the charm’s advice on swarms suggests that we reevaluate unilateral assertions regarding what the text might have meant across the hundreds of years that we now know as the Anglo-Saxon period.

Articles

The Myth of the Anglo-Saxon Oral Poet

There are at least two reasons why the search for the Anglo-Saxon oral poet is worth reopening. To begin with, current thinking about oral poetry and poetics in the Anglo-Saxon period has been indelibly stamped by the classic Parry/Lord thesis, well known in its evolution from the 1950s to more recent years,