
I intend to look at magic bowls in order to see how and for what purpose they were used, and to get a glimpse at the way they worked and what hidden treasures can be found within them.
Where the Middle Ages Begin

I intend to look at magic bowls in order to see how and for what purpose they were used, and to get a glimpse at the way they worked and what hidden treasures can be found within them.

Joanna Stafford, our intrepid ex-Dominican super sleuth is at it again. This time, she’s hurled straight into the midst of plotting and deception at Henry VIII’s court.

Magic was a regular part of daily life in pre-Christian Europe, as it was and still is in many other parts of the world. In this context, the term ‘magic’ is distinct from its modern usage which is better described as optical illusion.

The possibility of the everyday use of magic by courtiers is emphasized by the employment of magic advisors and, very frequently, astrologists. The medieval court was a place for the elite, and thus the educated sector of society at this time.

When I decided to put pen to paper for a Tudor historical fiction story, I had no idea what I wanted to write. The subject has been analyzed and romanticized for five hundred years. What could I do that would be an original slant on this iconic subject matter? After having a look around I noticed that no one appears to have the exact moment of her execution. From there, the story began to slowly develop and present itself to me.

Where did trolls come from? What did medieval and early modern people think of trolls? How did the concept of the modern day troll evolve?

Sins of evil black magic, as listed by the medieval theologian Burchard of Worms in the 11th century.

St. Augustine’s Abbey can be viewed as a centre of magical studies in the late Middle Ages because of the large and diverse collection of magic texts present in the library, the number of monks interested in unorthodox studies and the ways in which magic was integrated within the monastic context

This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.

Saemund Sigfusson is the earliest of the Icelandic wizards. According to the annals he was born in the year 1056. He was educated in France and returned to Iceland in 1076 or 1078.

A diverse yet distinctive group of magical amulets has periodically attracted the attention of scholars from Renaissance times to the present. The amulets take many forms, including engraved gems and cameos, enamel pendants, die-struck bronze tokens, cast or engraved pendants of gold, silver, bronze, and lead, and rings of silver and bronze.

I exemplify this striving for ‘neutral’ research in this study of love magic, which starts with a case study on an episode from the Life of Saint Brigit.

This contribution focuses on miracle collections as a source for medieval magic for three reasons. The first is the very closeness of magic and miracles, for both seek to procure results which transcend nature, and to do this through the medium of a human practitioner.

Was this magic healing or protective? Did it aim to safeguard the living or conjure the dead? Who were the recipients of such magical rites — and who was responsible for performing them?

Throughout the Middle Ages – especially the later Middle Ages – ideas of magic played a large part in the formation of deviant sexual behaviours and it was believed that magic played a main role in sexual malfunctions and abilities.

Little by little, out of the old conviction —pagan and Christian— of evil interference in atmospheric phenomena evolved the belief that some people may use malign sorcery to set off whirlwinds hail, frosts, floods and other destructive weather events.

This essay, however, looks to explore, not this seductive form of charm magic, but rather its opposite, ie charm magic that prevents the consumption of a relationship, or that makes a fruitful union impossible.

The fool is one of the most popular and stable character types throughout cultures and times. This is especially true of medieval Europe. The fool, sometimes a jester, sometimes a clown or a trickster, is always recognizable through his abnormal appearance.

Hidden in the manuscripts of illicit magic we may find a hitherto untreated practical literature of dream divination…this literature sets out to provoke specific kinds of dreams.
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