Pola, who flourished in Rome at the turn of the fourteenth century, tells us three times, in three separate manuscripts, that she is the “daughter of R. Abraham the scribe.”
In this presentation, we will examine how the technological developments of the Digital Library of Medieval Manuscripts (DLMM) are encouraging new kinds of research into the literature, art, and history of 14th and 15th-century France.
The highly anticipated Anglo-Saxon Kingdoms: Art, Word, War exhibition has turned the British Library into a treasure hoard.
The British Library, the Bibliothèque nationale de France and The Polonsky Foundation have teamed up to create two websites that will provide digital access to 800 medieval manuscripts. The websites will be launched next month.
That the scribe and artist of the Gawain manuscript may have been one and the same person raises some interesting questions about this unique and famous manuscript.
A new, free, online course developed by Trinity College Dublin will allow learners worldwide to explore the history of Ireland through the remarkable Book of Kells — one of the world’s most famous medieval manuscripts.
Who scribed Urðabók? And for whom and what? Wawn aims at unveiling the story behind this little, modest manuscript.
The Great Canterbury Psalter, a masterpiece of late-twelfth-century English art and the last of a series of splendid psalters linked to Christ Church, Canterbury, is also the most important and ambitious creation known today of the oeuvre of the Catalan painter, Ferrer Bassa.
A 12th century Byzantine manuscript, which went missing from the University of Athens in 1991, has been discovered in the collections of the Museum of the Bible, and will be returned to Greece later this year.
Leveraging the University’s expertise with technology and rare centuries-old manuscripts, Penn Libraries is digitizing and cataloging medieval and early modern texts from 15 Philadelphia-area institutions. The three-year project is known as BiblioPhilly.
One of the most exceptional illuminated manuscripts from the 8th century has been digitized and is now available online.
The J. Paul Getty Museum has acquired the Rothschild Pentateuch, a spectacular medieval Hebrew manuscript from the late thirteenth-century.
The Isabella Breviary (British Library, Add. MS. 18851) is a remarkable book. Within its pages lie some of the finest illuminations ever painted during the late Middle Ages and early Renaissance.
Rare 14th-century texts historian Rowan Dorin found in Stanford’s Green Library show an enthusiastic exchange of knowledge between medieval people, going against the belief that the Middle Ages was an ignorant time.
Medieval manuscripts are often spectacles to behold, their intricate illustrations dazzling with jewel-toned pigments and gold leaf. But it’s the dark splotch, the fingerprint smudge, the stitched-together tear in the parchment that are the most exciting discoveries for University of Pennsylvania researcher Erin Connelly.
Imagine putting pen to paper today and copying down a text in longhand. What are the chances it will still be around by the year 3500 AD? What would that require?
It was a sensational discovery, when in 2012 fragments of the 1,200-year-old parchment were rediscovered in a box. The original was cut up in the 18th century and used as covers for other books. Six years ago, the fragments were found in the library of Admont Abbey and its value was recognised.
Made in the last quarter of the 14th century, Flateyjarbók (Book of Flatey) is probably the finest manuscript that Iceland has ever produced.
US government officials announced last week the recovery of a 525-year-old copy of Christopher Columbus’ letter describing his discoveries in the Americas.
The Hours of Henry VIII reveals interesting details of its composition. The calendar is especially rich in images, embellished not only with the traditional pictures of the labors of the months and the signs of the zodiac, but also with vignettes, in the side and bottom margins, illustrating the main feasts cited with the months.
Beyond its incredible, stunning pictures, Medieval Monsters: Terrors, Aliens, Wonders by Sherry C.M. Lindquist and Asa Simon Mittman, explores the medieval love of monsters in all their glory and complexity in a book that transcends its purpose as an accompaniment to an exhibit – it’s a book in which to lose yourself in your love of medieval manuscripts.
“Our manuscripts show practical knowledge, knowledge from antiquity carried through to the Middle Ages, and this is a great manuscript to further strengthen that aspect of our collection.”
The work is from an otherwise lost Book of Hours and is the first to be discovered by the artist since 1980.
A unique opportunity to experience a medieval manuscript as a sensory experience is currently taking place at the University of Leicester.