1.0Medievalists.nethttps://www.medievalists.netSandra Alvarezhttps://www.medievalists.net/author/sandra-alvarez/rich600338<blockquote class="wp-embedded-content" data-secret="PqT69iMjF5"><a href="https://www.medievalists.net/2012/08/the-middle-ages-after-the-middle-ages-medievalism-in-the-study-of-european-drama-and-theatre-history/">The Middle Ages after the Middle Ages. Medievalism in the Study of European Drama and Theatre History</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.medievalists.net/2012/08/the-middle-ages-after-the-middle-ages-medievalism-in-the-study-of-european-drama-and-theatre-history/embed/#?secret=PqT69iMjF5" width="600" height="338" title="“The Middle Ages after the Middle Ages. Medievalism in the Study of European Drama and Theatre History” — Medievalists.net" data-secret="PqT69iMjF5" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.medievalists.net/wp-content/uploads/2011/05/images-53.jpeg333151If we are going to acknowledge the afterlife of medieval genres, subject matters, motifs and techniques, three methods of research are preferable: 1. looking for simple continuity, 2. taking into account residual afterlife of medieval items in popular culture including folklore, and 3. recognizing the phenomena of the renewal of medieval genres in later ages.