1.0Medievalists.nethttps://www.medievalists.netSandra Alvarezhttps://www.medievalists.net/author/sandra-alvarez/rich600338<blockquote class="wp-embedded-content" data-secret="OrgbWMm29t"><a href="https://www.medievalists.net/2012/08/the-italo-cretan-religious-painting-and-the-byzantine-palaeologan-legacy/">The Italo-Cretan Religious Painting and The Byzantine-Palaeologan Legacy</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.medievalists.net/2012/08/the-italo-cretan-religious-painting-and-the-byzantine-palaeologan-legacy/embed/#?secret=OrgbWMm29t" width="600" height="338" title="“The Italo-Cretan Religious Painting and The Byzantine-Palaeologan Legacy” — Medievalists.net" data-secret="OrgbWMm29t" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.medievalists.net/wp-content/uploads/2012/08/postbyz1.gif163200The paper aims to introduce the last significant school of painting, which was nurtured by the Byzantine sources, the so-called Italo-Cretan school, whose presence and influence lasted for more than 300 years. Its works are perceived not just as mere objects of veneration but have also high artistic and marketing value.