1.0Medievalists.nethttps://www.medievalists.netMedievalists.nethttps://www.medievalists.net/author/charlemagne/rich600338<blockquote class="wp-embedded-content" data-secret="DEvHNNf6KG"><a href="https://www.medievalists.net/2012/03/whose-music-is-it-anyway-how-we-came-to-view-musical-expression-as-a-form-of-property/">Whose Music is it Anyway? How we Came to View Musical Expression as a Form of Property</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.medievalists.net/2012/03/whose-music-is-it-anyway-how-we-came-to-view-musical-expression-as-a-form-of-property/embed/#?secret=DEvHNNf6KG" width="600" height="338" title="“Whose Music is it Anyway? How we Came to View Musical Expression as a Form of Property” — Medievalists.net" data-secret="DEvHNNf6KG" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(/[^a-zA-Z0-9]/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=new RegExp("^https?:$","i"),l=0;l<n.length;l++)n[l].style.display="none";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute("style"),"height"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if("link"===t.message)if(s=d.createElement("a"),a=d.createElement("a"),s.href=r.getAttribute("src"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute("data-secret")))r=Math.random().toString(36).substr(2,10),t.src+="#?secret="+r,t.setAttribute("data-secret",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute("security"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:"ready",secret:r},"*")}}}}(window,document); </script> https://www.medievalists.net/wp-content/uploads/2011/03/images24.jpeg187270By analyzing the economic and legal structures governing music making in Western Europe from the classical period in Greece through the Renaissance, the article shows that the law first granted some exclusive rights in the Middle Ages, when musicians' guilds enjoyed the exclusive right to perform music in medieval cities, but that the concept of music as a form of property was not established until