Where the Middle Ages Begin
Using evidence from cases recorded in the registers of the consistories of southern France, the author investigates the way in which Languedocian women policed each other’s behaviour, enforcing a collective morality through gossip, sexual insult and physical confrontation.
This paper considers the definitions of evil in the twelfth- and early thirteenth-century sources of the crusades.
In the society that the Icelandic family sagas depict, whose public sphere was ruled by men, violence was an extraordinary extent of action for women – but it takes place.
In late July, I posted a book review on, “A Thing Done”, by Tinney Sue Heath. The book explores the fantastic world of Italian medieval vendetta during the thirteenth century. Here is my interview with this talented and accomplished author.
A man sworn to earthly nonviolence, poverty and obedience, he was the product of a knightly family; he envisioned himself and his monastic brethren as spiritual soldiers on the front lines of a cosmic war. Bernard explored themes of spiritual and earthly violence throughout his many compositions…
Violence, even murder, perpetuated this cycle of revenge. This code of retribution can be broken down further into the following dimensions: the individuals involved, the appropriate actions as deemed by Viking society, and any extenuating circumstances, such as supernatural strength or the wronged party’s reluctance to seek revenge.
What I would like to do here is examine the passages of violence and other bits of scenography, moving from the macro to the micro level and back again, over the three- day play. With 260 rubrics (stage directions) embodied in the text, a manuscript nearly contemporaneous with the performance itself, we have a unique opportunity to visualize much of the action on stage.
To tease out these issues, I would like to offer an analysis of a specific set of criminal records from the city of Toulouse in the later Middle Ages. In recent years, many scholars have attempted to gain access to the lives of women in medieval Languedoc.
Violence is often thought of as a characteristic of all medieval societies. How such societies chose to exercise this violence is therefore a good, and understudied, way into understanding the basic rules about how they worked. Concentrating on twelfth and thirteenth century Tuscany, my intention is to show that a specific form of violence, namely organized collective violence, was not an option available to all social groups within the medieval rural society of northern Italy…
On a Friday evening in the spring of 1375, William Cantilupe, a knight of the relatively young age of thirty and the great-great-nephew of St Thomas of Hereford, was murdered by members of his household.
This essay focuses on the graphic and violent language of Hildegard’s visions. I argue that Hildegard drew upon the political and ecclesiastical context in which she lived for her visionary experiences, rather than a fully developed form of salvation history.
The broad street of Cheapside, Vanessa Harding shows, was a central location in the lives and minds of early modern Londoners. In a crowded city it was a significant open space where public events could be staged and important issues communicated to a wide audience. The everyday reality of shop and market trading — where qualities and values were scrutinized and false dealing punished – enhanced its association with truth and patency. Normally dominated by the authorities, it was on occasion captured by oppositional groups, though their activities tended to reinforce Cheapside’s identity as a place of publicity and validation.
In order to understand these issues properly we must first consider our own ideas about ‘crime’, a deeply problematic term for the period before the late twelfth century.
This was another interesting paper from the Mental Health in Non-medical Terms session at KZOO on notaries, and how crimes committed under “mental duress” were processed.
Despite countless manifestations in literature of many traditions and cultures, the archetype of vengeance as a theme is a common and current one
This paper was part of a very interesting session on the Early Middle Ages. The papers covered Eastern European Infant Burial, the archaeology of medieval feasting and conversion. This paper contrasted the conversion policies of Charlemagne versus those of Louis the Pious.
The was the second of two fabulous papers given at the my first session on Medieval violence. Whereas the first paper in this series looked at violence in the university setting, this one tackled violence in an elite sphere – Florentine knights and their retinues.
My first foray of KZOO 2013 couldn’t have been off to a better start with, “I just don’t want to die without a few scars”: Medieval Fight Clubs, Masculine Identity, and Public (Dis)order. There were only two papers in this session and both were riveting. I felt like I couldn’t type fast enough to get it all in! The first paper was given by Professor Andrew Larsen of Marquette University. Professor Larsen published a book on high and late medieval student violence and the Saint Scholastica’s Day Riot at Oxford university.
The idea of a humanoid monster that can be reluctantly empathized with can be traced back to various source texts. For example, Grendel in the Anglo-Saxon epic poem Beowulf is a bloodthirsty savage, however upon a close reading of the poem he appears more human.
At some point early in 1355, the laborer Pons Gasin of Marseilles killed a woman named Alazais Borgona. The peace act that arose from this killing does not tell us why. What it does tell us is that the killing marked the birth of a great hatred between Alazais’s kinfolk and Pons.
Stonehenge, by the 11th century, lay on the border of two administrative districts known as hundreds, and many scholars have argued that it marked an important territorial boundary even earlier. It would have been a site known to everyone in the region but inhabited by no one.
The following essay aims to portray the history of the motif from Old Norse literature to its presence in today’s culture and particularly in heavy metal music. I aim to show how the motif is used to act as both a channel for aggression and as social criticism.
A recurring theme in several medievalist crime novels is the subject of outlaws. They are used to create ambience, they can be the adversary and main threat to the protagonists, they can be cast in somewhat more heroic roles, and they are sometimes essential to the plot.
There is more than one ghost story connected with the quiet hamlet of Wistow, which lies off the London road about seven miles from Leicester.
“Who once sliced men more sharoly than the sword Is victim of a woman…Epitaph for Emperor Nicephoros II Phocas.
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