
Now for the first time in 500 years much of the music included in Anne Boleyn’s songbook has been recorded by the Alamire Consort, under the direction of Dr. David Skinner of Sidney Sussex College, Cambridge University.
Where the Middle Ages Begin

Joanna Stafford, our intrepid ex-Dominican super sleuth is at it again. This time, she’s hurled straight into the midst of plotting and deception at Henry VIII’s court.

The Howards were the most important noble dynasty of Henry VIII’s reign. Tudor political history cannot be written without them; they lived their lives at its core, in the shadow of the Crown.

When I decided to put pen to paper for a Tudor historical fiction story, I had no idea what I wanted to write. The subject has been analyzed and romanticized for five hundred years. What could I do that would be an original slant on this iconic subject matter? After having a look around I noticed that no one appears to have the exact moment of her execution. From there, the story began to slowly develop and present itself to me.

In this tense and well written episode, Anne Boleyn and Thomas Cromwell experience, in different ways, the unpredictable, explosive anger of Henry VIII.

Three things happened that made it possible for Henry VIII to marry Anne Boleyn. Without these three factors, there’d have been no marriage.

I will try to unravel some of the complexities of the relationships in the court of Henry VIII, which are shown on Wolf Hall without much effort to explain. While such a sophisticated script yields rich rewards, it assumes a certain working knowledge of 16th century power players.

Tudor mystery author Nancy Bilyeau explains the intricate plot of the premiere episode of Masterpiece Theater’s ‘Wolf Hall,’ about Thomas Cromwell, the chief minister of Henry VIII, whom some decry as an evil genius and others praise as the leader of the English Reformation.

Was there ever a time that Thomas Cromwell, lord privy seal of England in the reign of Henry VIII, was not front and center in the culture?

It is particularly useful in that it brings together much (usually) scattered information into one place and links places, events and context together. It is a useful reference book with extensive links to further information.

Arthur Tudor was born shortly after midnight on September 20, 1486, just eight months after his parent’s marriage. King Henry was optimistic and insisted his son be born at Winchester, the legendary capital of King Arthur’s Camelot.

This is a brief summary of a paper on Welsh poetry, patronage and politics. It was given at the Celtic Studies Association of North America Annual Conference at the University of Toronto April 18 – 21, 2013.

So what about the famous confession? By historians in the Tudor tradition this is usually seen as absolute proof that he was an impostor, arguing that “there is nothing in [his] confession which should make us doubt his truthfulness”. Somehow they cannot have looked at it too closely.

Was Warbeck just another in a long line of pretenders to the throne of England, or did his appearance in Ireland in 1491 prove the innocence
of Richard III, whom most historians accuse of murdering his nephews, the Princes in the Tower?

To understand this apparent incongruity, it is, I argue, necessary to interrogate more carefully the continuation of monastic literary culture and its gradual diffusion beyond the walls of the cloister.

The first question, not yet raised in labour historiography, is about the impact of wage labour relations on gender equality.
The second question is related to the first one: what role did women play as protagonists of wage labour relations.

The short answer is ‘No, not together nor in the Tower’, but as to their murder elsewhere, it all depends on the definition.

In recent years new biographies of great figures such as Margaret of York, Duchess of Burgundy have shed great light on key issues of English-European relations, while studies of Margaret Beaufort have redefined the political role of the women of this era.
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