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	<title>Medievalists.net &#187; Troubadours</title>
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	<link>http://www.medievalists.net</link>
	<description>Where the Middle Ages Begin</description>
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		<title>The Troubadours, Part II: Ladies in Love</title>
		<link>http://www.medievalists.net/2015/02/05/troubadours-part-ii-ladies-love/</link>
		<comments>http://www.medievalists.net/2015/02/05/troubadours-part-ii-ladies-love/#comments</comments>
		<pubDate>Thu, 05 Feb 2015 15:22:45 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[5MinMedievalist]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Troubadours]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=55926</guid>
		<description><![CDATA[<p>Like many people – if not most – I had heard about the troubadours, but I had no idea that the tradition included women. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2015/02/05/troubadours-part-ii-ladies-love/">The Troubadours, Part II: Ladies in Love</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2015/02/05/troubadours-part-ii-ladies-love/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Troubadours, Part I: Sad Songs Say So Much</title>
		<link>http://www.medievalists.net/2015/01/29/troubadours-part-sad-songs-say-much/</link>
		<comments>http://www.medievalists.net/2015/01/29/troubadours-part-sad-songs-say-much/#comments</comments>
		<pubDate>Thu, 29 Jan 2015 16:42:19 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[5MinMedievalist]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Troubadours]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=55751</guid>
		<description><![CDATA[<p>The height of their popularity was in the 12th-13th Centuries, and they wrote songs about people, politics, and religion, but most of all, love. Let’s take five minutes to talk about troubadours.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2015/01/29/troubadours-part-sad-songs-say-much/">The Troubadours, Part I: Sad Songs Say So Much</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Caught in Love’s Grip: Passion and Moral Agency in French Courtly Romance</title>
		<link>http://www.medievalists.net/2014/08/12/caught-loves-grip-passion-moral-agency-french-courtly-romance/</link>
		<comments>http://www.medievalists.net/2014/08/12/caught-loves-grip-passion-moral-agency-french-courtly-romance/#comments</comments>
		<pubDate>Tue, 12 Aug 2014 10:06:35 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Andreas Capellanus]]></category>
		<category><![CDATA[Arthurian Romances]]></category>
		<category><![CDATA[Champagne]]></category>
		<category><![CDATA[Chivalry]]></category>
		<category><![CDATA[Courtly Romances]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[Georges Duby]]></category>
		<category><![CDATA[High Middle Ages]]></category>
		<category><![CDATA[Knights]]></category>
		<category><![CDATA[Marie de France]]></category>
		<category><![CDATA[Marriage]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Old French]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Queenship]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[The Art of Courtly Love]]></category>
		<category><![CDATA[Tristan and Iseult]]></category>
		<category><![CDATA[Troubadours]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=51801</guid>
		<description><![CDATA[<p>French royal courts in the late twelfth century were absolutely smitten with love. Troubadaours traveled from place to place reciting stories of knights and the ladies they wooed. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/08/12/caught-loves-grip-passion-moral-agency-french-courtly-romance/">Caught in Love’s Grip: Passion and Moral Agency in French Courtly Romance</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2014/08/12/caught-loves-grip-passion-moral-agency-french-courtly-romance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Analyzing History: Bertran de Born &#8211; Innocent Poet or Inciter of Revolt</title>
		<link>http://www.medievalists.net/2014/02/22/analyzing-history-bertran-de-born-innocent-poet-inciter-revolt/</link>
		<comments>http://www.medievalists.net/2014/02/22/analyzing-history-bertran-de-born-innocent-poet-inciter-revolt/#comments</comments>
		<pubDate>Sun, 23 Feb 2014 01:18:57 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Angevin]]></category>
		<category><![CDATA[Dark Ages]]></category>
		<category><![CDATA[Eleanor of Aquitaine]]></category>
		<category><![CDATA[Empress Matilda]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Henry I]]></category>
		<category><![CDATA[High Middle Ages]]></category>
		<category><![CDATA[King Henry II]]></category>
		<category><![CDATA[King Stephen of Blois]]></category>
		<category><![CDATA[Knights]]></category>
		<category><![CDATA[matil]]></category>
		<category><![CDATA[Troubadours]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=47825</guid>
		<description><![CDATA[<p>While words are powerful tools that can invoke emotions ranging from jubilation to revulsion, could they be the cause of a rebellion against Henry II of England by his children and wife, Eleanor of Aquitaine? Could the words of a mere troubadour drive the revolt of a family against their king?</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/02/22/analyzing-history-bertran-de-born-innocent-poet-inciter-revolt/">Analyzing History: Bertran de Born &#8211; Innocent Poet or Inciter of Revolt</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2014/02/22/analyzing-history-bertran-de-born-innocent-poet-inciter-revolt/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A &#8216;Game of Words&#8217;: Why were &#8216;Insult tensos&#8217; Performed in Occitan Courts?</title>
		<link>http://www.medievalists.net/2014/02/02/a-game-of-words-why-were-insult-tensos-performed-in-occitan-courts/</link>
		<comments>http://www.medievalists.net/2014/02/02/a-game-of-words-why-were-insult-tensos-performed-in-occitan-courts/#comments</comments>
		<pubDate>Mon, 03 Feb 2014 01:47:01 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Troubadours]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=47263</guid>
		<description><![CDATA[<p>What was the purpose of insulting, aggressive exchanges between nobles and joglars/troubadours in the Occitan courts?</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/02/02/a-game-of-words-why-were-insult-tensos-performed-in-occitan-courts/">A &#8216;Game of Words&#8217;: Why were &#8216;Insult tensos&#8217; Performed in Occitan Courts?</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2014/02/02/a-game-of-words-why-were-insult-tensos-performed-in-occitan-courts/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Women in Troubadour Song: Of the Comtessa and the Vilana</title>
		<link>http://www.medievalists.net/2012/12/30/women-in-troubadour-song-of-the-comtessa-and-the-vilana/</link>
		<comments>http://www.medievalists.net/2012/12/30/women-in-troubadour-song-of-the-comtessa-and-the-vilana/#comments</comments>
		<pubDate>Sun, 30 Dec 2012 19:19:53 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bards]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[High Middle Ages]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Occitan]]></category>
		<category><![CDATA[Old French]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Troubadours]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=38405</guid>
		<description><![CDATA[<p>Since we have melodies for both songs, the question of what “feminine” voices we are hearing is a musi- cal as well as a poetic issue.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/12/30/women-in-troubadour-song-of-the-comtessa-and-the-vilana/">Women in Troubadour Song: Of the Comtessa and the Vilana</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2012/12/30/women-in-troubadour-song-of-the-comtessa-and-the-vilana/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From Jongleur to Minstrel: The Professionalization of Secular Musicians in Thirteenth- and Fourteenth-Century Paris</title>
		<link>http://www.medievalists.net/2012/09/22/from-jongleur-to-minstrel-the-professionalization-of-secular-musicians-in-thirteenth-and-fourteenth-century-paris/</link>
		<comments>http://www.medievalists.net/2012/09/22/from-jongleur-to-minstrel-the-professionalization-of-secular-musicians-in-thirteenth-and-fourteenth-century-paris/#comments</comments>
		<pubDate>Sat, 22 Sep 2012 19:09:01 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Bards]]></category>
		<category><![CDATA[Deviance]]></category>
		<category><![CDATA[Economics - Urban]]></category>
		<category><![CDATA[Fourteenth Century]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Guilds]]></category>
		<category><![CDATA[Jongleurs]]></category>
		<category><![CDATA[Late Middle Ages]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Paris]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Social History]]></category>
		<category><![CDATA[Thirteenth century]]></category>
		<category><![CDATA[Troubadours]]></category>
		<category><![CDATA[Urban Studies]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=35876</guid>
		<description><![CDATA[<p>This study asks: how did jongleurs professionalize over the course of the thirteenth and fourteenth centuries and incorporate themselves into society as legitimate, productive members?</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/09/22/from-jongleur-to-minstrel-the-professionalization-of-secular-musicians-in-thirteenth-and-fourteenth-century-paris/">From Jongleur to Minstrel: The Professionalization of Secular Musicians in Thirteenth- and Fourteenth-Century Paris</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2012/09/22/from-jongleur-to-minstrel-the-professionalization-of-secular-musicians-in-thirteenth-and-fourteenth-century-paris/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Los motz e.l so&#8221;: Words, Melody, and Their Interaction in the Songs of Folquet de Marseille</title>
		<link>http://www.medievalists.net/2012/08/26/los-motz-e-l-so-words-melody-and-their-interaction-in-the-songs-of-folquet-de-marseille/</link>
		<comments>http://www.medievalists.net/2012/08/26/los-motz-e-l-so-words-melody-and-their-interaction-in-the-songs-of-folquet-de-marseille/#comments</comments>
		<pubDate>Mon, 27 Aug 2012 00:04:07 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Thirteenth century]]></category>
		<category><![CDATA[Troubadours]]></category>
		<category><![CDATA[Twelfth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=35130</guid>
		<description><![CDATA[<p>In this dissertation I delve into the songs of the late twelfth-century troubadour Folquet de Marseille whose thirteen songs surviving with their melodies provide a varied collection of a suitable size to permit intensive analysis of poetic and musical compositional practices and the interactions between the two.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/08/26/los-motz-e-l-so-words-melody-and-their-interaction-in-the-songs-of-folquet-de-marseille/">&#8220;Los motz e.l so&#8221;: Words, Melody, and Their Interaction in the Songs of Folquet de Marseille</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
		<wfw:commentRss>http://www.medievalists.net/2012/08/26/los-motz-e-l-so-words-melody-and-their-interaction-in-the-songs-of-folquet-de-marseille/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Myth of the Anglo-Saxon Oral Poet</title>
		<link>http://www.medievalists.net/2012/07/15/the-myth-of-the-anglo-saxon-oral-poet/</link>
		<comments>http://www.medievalists.net/2012/07/15/the-myth-of-the-anglo-saxon-oral-poet/#comments</comments>
		<pubDate>Sun, 15 Jul 2012 20:19:18 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Aldhelm]]></category>
		<category><![CDATA[Anglo-Norman]]></category>
		<category><![CDATA[Anglo-Saxon]]></category>
		<category><![CDATA[Bards]]></category>
		<category><![CDATA[Bede]]></category>
		<category><![CDATA[Early Middle Ages]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Hagiography]]></category>
		<category><![CDATA[High Middle Ages]]></category>
		<category><![CDATA[Latin]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Old English]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Troubadours]]></category>
		<category><![CDATA[Twelfth Century]]></category>
		<category><![CDATA[William of Malmesbury]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=33804</guid>
		<description><![CDATA[<p>There are at least two reasons why the search for the Anglo-Saxon oral poet is worth reopening. To begin with, current thinking about oral poetry and poetics in the Anglo-Saxon period has been indelibly stamped by the classic Parry/Lord thesis, well known in its evolution from the 1950s to more recent years,</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/07/15/the-myth-of-the-anglo-saxon-oral-poet/">The Myth of the Anglo-Saxon Oral Poet</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Transposition of Stanzas in Mediaeval Poetry, a Method of Analysis: Poems VII and X of Arnaut Daniel</title>
		<link>http://www.medievalists.net/2012/07/14/transposition-of-stanzas-in-mediaeval-poetry-a-method-of-analysis-poems-vii-and-x-of-arnaut-daniel/</link>
		<comments>http://www.medievalists.net/2012/07/14/transposition-of-stanzas-in-mediaeval-poetry-a-method-of-analysis-poems-vii-and-x-of-arnaut-daniel/#comments</comments>
		<pubDate>Sun, 15 Jul 2012 04:41:21 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Occitan]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Troubadours]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=33782</guid>
		<description><![CDATA[<p>A valid alternative is to attempt to understand the reason for the existence of the different versions and to use this knowledge in the choice of a version.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/07/14/transposition-of-stanzas-in-mediaeval-poetry-a-method-of-analysis-poems-vii-and-x-of-arnaut-daniel/">Transposition of Stanzas in Mediaeval Poetry, a Method of Analysis: Poems VII and X of Arnaut Daniel</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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