
Joanna Stafford, our intrepid ex-Dominican super sleuth is at it again. This time, she’s hurled straight into the midst of plotting and deception at Henry VIII’s court.
Where the Middle Ages Begin

Joanna Stafford, our intrepid ex-Dominican super sleuth is at it again. This time, she’s hurled straight into the midst of plotting and deception at Henry VIII’s court.

A recurring theme in several medievalist crime novels is the subject of outlaws. They are used to create ambience, they can be the adversary and main threat to the protagonists, they can be cast in somewhat more heroic roles, and they are sometimes essential to the plot.

I use the word ritual because in cases of treachery use of a general ‘script’ as ordered by these two accounts emerges with surprising frequency in England in the late 13th and early 14th century.

The Knight of the Two Swords in Thomas Malory’s Morte Darthur (1485) tells a story of an invisible knight who without provocation kills other knights.
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