
What is the dragon to Sigurðr? His attitude is interestingly nonchalant. The question arises, Who is Sigurðr the dragon-slayer? Why is he the best person to kill the dragon? And furthermore, why is the dragon important to the hero?
Where the Middle Ages Begin

What is the dragon to Sigurðr? His attitude is interestingly nonchalant. The question arises, Who is Sigurðr the dragon-slayer? Why is he the best person to kill the dragon? And furthermore, why is the dragon important to the hero?

While many readers of medieval literature are likely to be familiar with the narrative motif of the snake pit, and even associate it with the legend of Gunnarr Gjúkason, there are probably not many, apart from Old Norse specialists, who would know the rest of his story.

Special individuals capable of understanding the language of birds are spread throughout the medieval Icelandic literary corpus. This phenomenon has received surprisingly little academic attention and is deserving of detailed, extensive, and interdisciplinary study. Capable of flight and song, birds universally hold a special place in human experience. Their effective communication to people in Old Norse lore offers another example of their unique role in humanity’s socio-cosmic reality.

A major goal of this thesis is to not only interpret the representations of women from these sagas, but also to place these representations in the context of the time and the writers. Icelanders wrote these sagas a couple centuries after the Viking age ended and are based nearly entirely on oral tradition.

“Ek Skal Hér Ráða”: Themes of Female Honor in the Icelandic Sagas Rivenbark, Susan Elizabeth (University of North Carolina at Wilmington) M.A. Thesis, Appalachian State University, May (2011) Abstract There was a separate and unique code of honor and ethics for women living in Iceland during the Viking Age. What was female honor? Were Icelandic women […]
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