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	<title>Medievalists.net &#187; The House of Fame</title>
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		<title>Guilt and Creativity in the Works of Geoffrey Chaucer</title>
		<link>http://www.medievalists.net/2014/09/02/guilt-creativity-works-geoffrey-chaucer/</link>
		<comments>http://www.medievalists.net/2014/09/02/guilt-creativity-works-geoffrey-chaucer/#comments</comments>
		<pubDate>Tue, 02 Sep 2014 16:50:55 +0000</pubDate>
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				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Boethius]]></category>
		<category><![CDATA[Canterbury Cathedral]]></category>
		<category><![CDATA[Chaucer]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Dante]]></category>
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		<category><![CDATA[Europe]]></category>
		<category><![CDATA[Fifteenth Century]]></category>
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		<category><![CDATA[Late Middle Ages]]></category>
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		<category><![CDATA[Middle English]]></category>
		<category><![CDATA[Petrarch]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[The House of Fame]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=52301</guid>
		<description><![CDATA[<p>I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/09/02/guilt-creativity-works-geoffrey-chaucer/">Guilt and Creativity in the Works of Geoffrey Chaucer</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<title>Time, consciousness and narrative play in late Medieval secular dream poetry and framed narratives</title>
		<link>http://www.medievalists.net/2013/09/26/time-consciousness-and-narrative-play-in-late-medieval-secular-dream-poetry-and-framed-narratives/</link>
		<comments>http://www.medievalists.net/2013/09/26/time-consciousness-and-narrative-play-in-late-medieval-secular-dream-poetry-and-framed-narratives/#comments</comments>
		<pubDate>Thu, 26 Sep 2013 15:11:21 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Chaucer]]></category>
		<category><![CDATA[Courtly Romances]]></category>
		<category><![CDATA[French]]></category>
		<category><![CDATA[Gender]]></category>
		<category><![CDATA[Guillaume de Lorris]]></category>
		<category><![CDATA[Late Middle Ages]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Sexuality]]></category>
		<category><![CDATA[The House of Fame]]></category>
		<category><![CDATA[The Romance of the Rose]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=43858</guid>
		<description><![CDATA[<p>This thesis proposes to look at the equation between time and text in the later medieval period. Time-telling and tale-telling have a particularly dynamic relationship in the considers time-telling and temporal referencein an era (c.1230 - 1500) that time-measurement multiple cultural experiencesa greatvariety of types of and<br />
attitudes to time. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/09/26/time-consciousness-and-narrative-play-in-late-medieval-secular-dream-poetry-and-framed-narratives/">Time, consciousness and narrative play in late Medieval secular dream poetry and framed narratives</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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		<title>An Ecoritical Approach to Chaucer. Representations of the Natural World in the English Literature of the Middle Ages</title>
		<link>http://www.medievalists.net/2012/12/15/an-ecoritical-approach-to-chaucer-representations-of-the-natural-world-in-the-english-literature-of-the-middle-ages/</link>
		<comments>http://www.medievalists.net/2012/12/15/an-ecoritical-approach-to-chaucer-representations-of-the-natural-world-in-the-english-literature-of-the-middle-ages/#comments</comments>
		<pubDate>Sat, 15 Dec 2012 06:56:24 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Anglo-Saxon]]></category>
		<category><![CDATA[Animals]]></category>
		<category><![CDATA[Beowulf]]></category>
		<category><![CDATA[Bestiary]]></category>
		<category><![CDATA[Canterbury Tales]]></category>
		<category><![CDATA[Chaucer]]></category>
		<category><![CDATA[Christianity]]></category>
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		<category><![CDATA[Science]]></category>
		<category><![CDATA[Sir Orfeo]]></category>
		<category><![CDATA[Social History]]></category>
		<category><![CDATA[The House of Fame]]></category>
		<category><![CDATA[The Parlement of Foules]]></category>
		<category><![CDATA[Troilus and Criseyde]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=38030</guid>
		<description><![CDATA[<p>The choice to write and present a study of nature in medieval English literature from an ecological perspective has been originated by a personal interest in the urgency of the deep environmental crisis we are faced with and by the drive to expand the eco- oriented study of representations of nature in literature to chronological and spatial areas well beyond those originally typical of ecological criticism. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/12/15/an-ecoritical-approach-to-chaucer-representations-of-the-natural-world-in-the-english-literature-of-the-middle-ages/">An Ecoritical Approach to Chaucer. Representations of the Natural World in the English Literature of the Middle Ages</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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