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	<title>Medievalists.net &#187; The Adventures of Robin Hood</title>
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		<title>Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies</title>
		<link>http://www.medievalists.net/2013/11/09/getting-schmedieval-of-manuscript-and-film-prologues-paratexts-and-parodies/</link>
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		<category><![CDATA[and Monty Python and the Holy Grail]]></category>
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		<description><![CDATA[<p>Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies Richard Burt (Guest Co-Editor, University of Florida) EXEMPLARIA: VOL. 19, NO. 2, SUMMER 2007, 217 – 242 Abstract This introduction examines how historical effects in cinematic medievalism are produced through analogies between their shared marginal paratexts, including historiated letters, prefaces, opening title sequences, film prologues, and intertitles. [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2013/11/09/getting-schmedieval-of-manuscript-and-film-prologues-paratexts-and-parodies/">Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
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