What made the southern Low Countries in the Middle Ages unique in a European perspective was the weight of the region as an export-oriented industrial area.
This study endeavors to aid the costumer in search of the historical clothes of the Medieval and Renaissance court Fool.
This essay surveys the evidence of women as artists in the Western and Byzantine Middle Ages in the centuries between about 600 and 1400.
Textile production was a key industry for the Norse colonies of the North Atlantic during the late Viking and Medieval period.
The V&A Museum opened its latest medieval exhibit exhibit on Saturday: Opus Anglicanum: Masterpieces of English Medieval Embroidery. I had the opportunity to see it opening day and it was spectacular.
A look at women’s work and family life in the Viking Age.
I don’t know about you, but I often read descriptions of medieval clothing and want to know more about the fabric: what did it look like and what was its texture?
Fashion fan? Interested in medieval and early modern textiles? Then this was your session. 2 papers from opposite ends of the spectrum: Early Medieval weaving and Early Modern Tailoring.
Three fantastic papers on Prosopography from #KZOO2015.
Analysing manuscripts, relics, indulgences, and even a bishop’s mitre, the article argues that stitching was a way to enact, or intensify, the ritual purpose of objects, whether that was ceremonial, devotional, or authoritative.
Milan may be Italy’s current fashion capital, but Venice had an important role to play in the development of the Italian fashion and textile industry since the late middle ages and renaissance period.
This dissertation deals with the formation of chiefdoms, communities, ecclesiastical institutions and state, and with production for market, subsistence and tribute in early Iceland in the context of climatic change and ecological succession.
This thesis examines the role of women in the Parisian economy in the late thirteenth century.
My investigation is set within the context of the current high level of interest in the workings of the late medieval parish.
With a population of almost 10,000, Bristol was later medieval England’s second or third biggest urban place, and the realm’s second port after London. While not particularly large or wealthy in comparison with the great cities of northern Italy, Flanders or the Rhineland, it was a metropolis in the context of the British Isles.
What do we know about women’s role in these societies? What did women do and how numerous were they? And did they pay the same role in Viking-Age proto-towns as in more developed medieval urban communities?
This article examines the change in women’s fashion that occurred during the 12th century. Garments went from loose and flowing to tightly fitted, featuring belts and laces. The author examines this cultural change through the romance stories complied in the “Lais” of Marie de France, specifically one featuring the character of Guigemar.
Based on the shirt fragments from the 15th century found at Lengberg Castle in East-Tyrol this paper describes the methods with which these shirts have been pleated, what type of stiches have been used for sewing and how the trimming strips were fashioned. Seventeen textile fragments could be identified as parts of shirts, fourteen of which feature either partially or totally pleated areas. Two sleeves with textile buttons and button holes, two sleeves with button holes, one sleeve with a textile button, one neckline and five fragments being either sleeve or collar are pleated on their entire width. One shirt each is pleated partially on the front, one of them with a preserved textile button. One sleeveless shirt is pleated at the shoulder.
When the Oseberg Ship was discovered in Norway in 1904, more than one hundred silk fragments were found among its artefacts. New research has shown that these silks were probably purchased from Persia through a trade network.
This article attempts to record systematically all the silkwomen of London who were daughters or wives of London mercers between 1400 and 1499.
I was inside there where I saw a wooden object wounding a certain struggling creature, the wood turning; it received battle-wounds, deep gashes.
The archaeological record shows that linen was an important part of Viking Age clothing. Linen cloth developed gradually from being virtually nonexistent in Scandinavia at the start of the first millennium AD…
Sarah-Grace Heller examines a letter sent by Charles I of Anjou, King of Sicily to one of his agents in Paris, where he provides a detailed order of textiles and clothing that he needed to have purchased.
This paper will argue that vibrantly coloured silks and other elaborate textiles were ubiquitous in England in the late Anglo-Saxon period.
The Handspinners of Paris, France: In 1270, a royal judge, Etienne Boileau, compiled “Le Livre de Metiers” (The Book of Trades) which contained the ordinances of 100 Parisian craft guilds. By consulting the surviving tax rolls of 1292, 1300, and 1313, it is possible to determine the extent to which these crafts were practiced.