
The following essay is intended as a contribution to the current reassessment of the rela- tionship of Old Icelandic saga literature to the European mainstream and of the ways of literary tradition in dealing with oral sources.
Where the Middle Ages Begin

The following essay is intended as a contribution to the current reassessment of the rela- tionship of Old Icelandic saga literature to the European mainstream and of the ways of literary tradition in dealing with oral sources.

The dissertation is a comparative analysis of Geoffrey of Monmouth’s and Snorri Sturlusson’s descriptions of paganism and uses of pre-Christian history. What was the function of these pre-Christian narratives, and what apporaches were used by the two authors to construct a complete image of the past, acceptable to their contemporary societies?

In the second part of his Edda, the Gylfaginning, Snorri Sturluson gives a systematic account of Norse mythology from the creation of the world to its end.

Nancy Marie Brown gives a talk about her recent book The Song of Vikings, Snorri and the Making of Norse Myths

This incident has been fatally embroidered by many local historians, taking their cue from various sources, so that the popular accounts have distorted what was already a confusing set of events.

An interview with author Nancy Brown on her latest medieval offering: “Song of the Vikings: Snorri and the Making of Norse Myths”.
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