
Macbeth opened in October in London to critical acclaim. The movie is being released today in Canada and the US.
Where the Middle Ages Begin

Macbeth opened in October in London to critical acclaim. The movie is being released today in Canada and the US.

600 years ago, the bells of Westminster Abbey rang out as word arrived in London that Henry V had defeated the French in Agincourt. 600 years later to the very day, the bells pealed out again to commemorate a medieval battle where the English were vastly outnumbered but still came home victorious.

This week, historians around the world are gearing up to commemorate the 600th anniversary of the Battle of Agincourt, one of the most significant battles of the Hundred Year’s War.

Kenneth Branagh’s film of Henry V, released in 1989, was greeted with wide critical acclaim of a kind which repays close attention.

As a new Macbeth film is released, test yourself on how well you know the names and places associated with the Bard.

This adaption of Shakespeare’s tragedy stars Michael Fassbender, with Marion Cotillard portraying his wife, Lady Macbeth.

The process of vilification of Richard III started at the end of the fifteenth century, when a well-planned policy of Tudor propaganda was set in motion by Henry VII himself, who commissioned a series of historiographical writings, mainly aiming at the solidification of the newly founded dynasty.

This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries.

An independent feature film of William Shakespeare’s Macbeth starring Sean Bean, Rupert Grint and Charles Dance has almost raised half of the $250 000 they are seeking on the crowd-funding website Kickstarter.

Henry travelled extensively, became famed throughout Christendom as a champion jouster, crusaded in Eastern Europe, and looked after his father’s holdings whilst John of Gaunt campaigned in Spain.3 It is impossible not to note that Henry Bolingbroke’s popularity continued to increase while Richard II’s declined.

It has indeed been confidently asserted that [Richard the 3d] killed his two Nephews & his Wife, but it has also been declared that he did not kill his two Nephews.

Others, however, began to wonder whether the possession of roots might not bring them success in other areas as well—wealth, popularity, or the power to control their own and other people’s destinies, and took to wearing them as good luck charms.

The name Machiavelli has negative connotations, and this way of thinking is not new. Throughout Europe, in Shakespeare’s time and earlier, Machiavellianism was associated with unscrupulous abuse of power, and Machiavellian methods were seen as immoral and evil.

This thesis will examine the manner in which Shakespeare drew upon existing sources material to depict a king whose inherent character flaws made him unworthy of his crown.
As a geographic trope transposed to literary discourse, discovery remains closely linked to the desire for possession. Postcolonial criticism has sought to deconstruct the feminized and sexualized discourses of geographic places and spaces as objects of desire, invasion, and annexation.

To an early modern, nothing could be fully learned through a “hands off” approach. Heidi Brayman Hackel corroborates this with her book, Reading Material. Critical to early modern thoughts on comprehension was “taking note,” a phrasing that carried the double implication of both noticing and annotating…

The theoretical framework for my analysis of Richard II’s use of iconic signs was largely drawn from the works of Charles Peirce, Umberto Eco, and the studies of the iconography of kingship by Louis Marin.

In the Middle Ages, Troy was not ancient history. As a living myth that continued to evolve along with the English nation, Troy functioned as a site for examining England’s cultural and political questions.

The purpose of this article is therefore to draw attention to the wild men and hybrids of the DPR less as unobserved analogues for the figure of Caliban but as types of figurative and illustrative beings, and thus to contextualise him in their mode of ‘animal other’.

The facts surrounding the life and death of the men called Shakespeare and Marlowe are murky at best. Both men had births recorded in 1564. Before Shakespeare’s name became widely known, Marlowe had already produced several major works in various genres, including Tamburlaine the Great and Dr. Faustus.

‘I do mistake my person all this while’: Blindness and Illusion in Richard III Rutter Giappone, Krista Bonello (University of Kent) Skepsi: Bad Behaviour in Medieval and Early Modern Europe, Volume III, Issue 1, Summer (2010) Abstract The article addresses issues of ‘beyond text’ through a ‘poststructuralist’ reading of Shakespeare’s Richard III and Richard III. […]
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