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	<title>Medievalists.net &#187; Psalters</title>
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	<description>Where the Middle Ages Begin</description>
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		<title>The Great Canterbury Psalter</title>
		<link>http://www.medievalists.net/2015/02/02/great-canterbury-psalter/</link>
		<comments>http://www.medievalists.net/2015/02/02/great-canterbury-psalter/#comments</comments>
		<pubDate>Mon, 02 Feb 2015 15:56:18 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Canterbury Cathedral]]></category>
		<category><![CDATA[Manuscripts and Palaeography]]></category>
		<category><![CDATA[Psalters]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=55849</guid>
		<description><![CDATA[<p>One manuscript, created in two countries by two different workshops, over a hundred years apart.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2015/02/02/great-canterbury-psalter/">The Great Canterbury Psalter</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<item>
		<title>Asteriscos et obelos suis locis restitui – the revision of the Psalter during the Carolingian Renaissance</title>
		<link>http://www.medievalists.net/2014/07/21/asteriscos-et-obelos-suis-locis-restitui-revision-psalter-carolingian-renaissance/</link>
		<comments>http://www.medievalists.net/2014/07/21/asteriscos-et-obelos-suis-locis-restitui-revision-psalter-carolingian-renaissance/#comments</comments>
		<pubDate>Mon, 21 Jul 2014 15:35:51 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Conferences]]></category>
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		<category><![CDATA[Carolingians]]></category>
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		<category><![CDATA[Manuscripts and Palaeography]]></category>
		<category><![CDATA[Psalters]]></category>
		<category><![CDATA[Religious Life]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=51241</guid>
		<description><![CDATA[<p>Today, I would like to discuss one type of early medieval psalter and the one feature that discerns this type - and that is the presence of critical signs.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/07/21/asteriscos-et-obelos-suis-locis-restitui-revision-psalter-carolingian-renaissance/">Asteriscos et obelos suis locis restitui – the revision of the Psalter during the Carolingian Renaissance</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Basan and Bata: The Occupational Surnames of Two Pre-Conquest Monks of Canterbury</title>
		<link>http://www.medievalists.net/2014/01/22/basan-and-bata-the-occupational-surnames-of-two-pre-conquest-monks-of-canterbury/</link>
		<comments>http://www.medievalists.net/2014/01/22/basan-and-bata-the-occupational-surnames-of-two-pre-conquest-monks-of-canterbury/#comments</comments>
		<pubDate>Wed, 22 Jan 2014 20:42:23 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Anglo-Saxon]]></category>
		<category><![CDATA[Archaeology]]></category>
		<category><![CDATA[Christianity]]></category>
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		<category><![CDATA[Eleventh Century]]></category>
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		<category><![CDATA[Kent]]></category>
		<category><![CDATA[Latin]]></category>
		<category><![CDATA[Monasticism]]></category>
		<category><![CDATA[Psalters]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=46894</guid>
		<description><![CDATA[<p>As hereditary surnames were not common in Anglo-Saxon England, men of the same name were differentiated by sobriquets based on their place of origin, a physical characteristic or occupation. This article argues that Eadui Basan and Aelfric Bata, two eleventh-century monks of Christ Church, had sobriquets, in Latin of fashionable obscurity, that reflected their occupations within the monastic community.</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/01/22/basan-and-bata-the-occupational-surnames-of-two-pre-conquest-monks-of-canterbury/">Basan and Bata: The Occupational Surnames of Two Pre-Conquest Monks of Canterbury</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		</item>
		<item>
		<title>Transformations of Print into Painting: A Case Study of the Context of Prints in an Illustrated Brigittine Psalter</title>
		<link>http://www.medievalists.net/2014/01/11/transformations-of-print-into-painting-a-case-study-of-the-context-of-prints-in-an-illustrated-brigittine-psalter/</link>
		<comments>http://www.medievalists.net/2014/01/11/transformations-of-print-into-painting-a-case-study-of-the-context-of-prints-in-an-illustrated-brigittine-psalter/#comments</comments>
		<pubDate>Sun, 12 Jan 2014 01:30:34 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
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		<category><![CDATA[Medieval Women]]></category>
		<category><![CDATA[Netherlands]]></category>
		<category><![CDATA[Psalters]]></category>
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		<category><![CDATA[Sixteenth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=46588</guid>
		<description><![CDATA[<p>This liturgical psalter raises issues of the production and consumption of religious texts in convents in the northern Netherlands. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2014/01/11/transformations-of-print-into-painting-a-case-study-of-the-context-of-prints-in-an-illustrated-brigittine-psalter/">Transformations of Print into Painting: A Case Study of the Context of Prints in an Illustrated Brigittine Psalter</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		</item>
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		<title>The Metamorphoses of a Late Fifteenth-Century Psalter (Harl. MS. 1892)</title>
		<link>http://www.medievalists.net/2012/08/14/the-metamorphoses-of-a-late-fifteenth-century-psalter-harl-ms-1892/</link>
		<comments>http://www.medievalists.net/2012/08/14/the-metamorphoses-of-a-late-fifteenth-century-psalter-harl-ms-1892/#comments</comments>
		<pubDate>Tue, 14 Aug 2012 05:09:01 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
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		<category><![CDATA[Fifteenth Century]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Late Middle Ages]]></category>
		<category><![CDATA[Psalters]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[Sixteenth Century]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=34763</guid>
		<description><![CDATA[<p>Illuminated Psalters were rarely produced in the fifteenth century and, after a late flourishing in the last decade with a couple of lavish copies,1 they virtually disappeared by the early sixteenth century. </p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2012/08/14/the-metamorphoses-of-a-late-fifteenth-century-psalter-harl-ms-1892/">The Metamorphoses of a Late Fifteenth-Century Psalter (Harl. MS. 1892)</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<title>The Art of Comparing in Byzantium</title>
		<link>http://www.medievalists.net/2011/08/18/the-art-of-comparing-in-byzantium/</link>
		<comments>http://www.medievalists.net/2011/08/18/the-art-of-comparing-in-byzantium/#comments</comments>
		<pubDate>Thu, 18 Aug 2011 19:31:55 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Art History]]></category>
		<category><![CDATA[Byzantium]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Hagiography]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Psalters]]></category>
		<category><![CDATA[Sermons and Preaching]]></category>

		<guid isPermaLink="false">http://www.medievalists.net/?p=24286</guid>
		<description><![CDATA[<p>The Art of Comparing in Byzantium Maguire, Henry The Art Bulletin, Vol. 70, No. 1 (1988) Abstract Rhetoric was an important component of Byzantine higher education, which affected the literature, art, and even mentality of the Byzantines. A study of the theory of encomium and censure shows how rhetorical structures, especially comparisons and biographical sequences, [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2011/08/18/the-art-of-comparing-in-byzantium/">The Art of Comparing in Byzantium</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<title>Animals in English Wood Carving</title>
		<link>http://www.medievalists.net/2011/06/05/animals-in-english-wood-carving/</link>
		<comments>http://www.medievalists.net/2011/06/05/animals-in-english-wood-carving/#comments</comments>
		<pubDate>Sun, 05 Jun 2011 15:20:28 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Animals]]></category>
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		<category><![CDATA[Bestiary]]></category>
		<category><![CDATA[England]]></category>
		<category><![CDATA[Manuscripts and Palaeography]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=21534</guid>
		<description><![CDATA[<p>Animals in English Wood Carving Druce, G. C. The Third Annual Volume of the Walpole Society, 1913-1914 (Oxford, 1914), Version 2 (August 2004) Abstract The treatment of animals and birds in ecclesiastical carvings hardly seems to have received sufficient attention in the past. In common with other unobtrusive details they are liable to be passed over [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2011/06/05/animals-in-english-wood-carving/">Animals in English Wood Carving</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<item>
		<title>&#8216;For What Purpose Do They Spend?&#8217;  Some Preliminary Thoughts on Penwork Produced by William de Brailes and his Collaborators</title>
		<link>http://www.medievalists.net/2011/01/11/for-what-purpose-do-they-spend-some-preliminary-thoughts-on-penwork-produced-by-william-de-brailes-and-his-collaborators/</link>
		<comments>http://www.medievalists.net/2011/01/11/for-what-purpose-do-they-spend-some-preliminary-thoughts-on-penwork-produced-by-william-de-brailes-and-his-collaborators/#comments</comments>
		<pubDate>Wed, 12 Jan 2011 04:30:16 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
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		<category><![CDATA[Printing History]]></category>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=15247</guid>
		<description><![CDATA[<p>&#8216;For What Purpose Do They Spend?&#8217; Some Preliminary Thoughts on Penwork Produced by William de Brailes and his Collaborators Johnston, Cynthia Marginalia, Vol. 9, (2009) Abstract In the catalogue description of six leaves from a Psalter attributed to William de Brailes (Fitzwilliam Museum, MS 330), Paul Binski comments that ‘[i]lluminated Bibles produced in France and England [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2011/01/11/for-what-purpose-do-they-spend-some-preliminary-thoughts-on-penwork-produced-by-william-de-brailes-and-his-collaborators/">&#8216;For What Purpose Do They Spend?&#8217;  Some Preliminary Thoughts on Penwork Produced by William de Brailes and his Collaborators</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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		<item>
		<title>&#8220;Marginal Beings: Hybrids as the Other in Late Medieval Manuscripts&#8221;</title>
		<link>http://www.medievalists.net/2011/01/05/marginal-beings-hybrids-as-the-other-in-late-medieval-manuscripts/</link>
		<comments>http://www.medievalists.net/2011/01/05/marginal-beings-hybrids-as-the-other-in-late-medieval-manuscripts/#comments</comments>
		<pubDate>Thu, 06 Jan 2011 02:45:56 +0000</pubDate>
		<dc:creator><![CDATA[Medievalists.net]]></dc:creator>
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		<guid isPermaLink="false">http://www.medievalists.net/?p=14909</guid>
		<description><![CDATA[<p>&#8220;Marginal Beings: Hybrids as the Other in Late Medieval Manuscripts&#8221; Thimann, Heidi Hortulus, Vol. 5, No. 1, (2009) Abstract This paper concerns the hybrids in the margins of medieval psalters and Books of Hours. In showing examples from the Rutland Psalter, the Luttrell Psalter, and The Hours of Jeanne d’Evreux, I ask what are these hybrids’ [&#8230;]</p>
<p>The post <a rel="nofollow" href="http://www.medievalists.net/2011/01/05/marginal-beings-hybrids-as-the-other-in-late-medieval-manuscripts/">&#8220;Marginal Beings: Hybrids as the Other in Late Medieval Manuscripts&#8221;</a> appeared first on <a rel="nofollow" href="http://www.medievalists.net">Medievalists.net</a>.</p>
]]></description>
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